It’s here! Well, almost. Issue 3 of @Inquemagazine -extraordinary new work from Werner Herzog, Maya Binyam @mayabinyam, David Keenan @reversediorama, Lias Saudi, Alexander Chee @cheemobile, Will Self @wself, Amalia Ulman @amaliaulman + more... Available for preorder, link in bio.
A journey to the end of the COVID night: Lias Saoudi, @FatWhiteFamily’s frontman, visits author Rob Doyle’s Rosslare home in 2021, on a crazed black magic journey that, somehow, ends well…
Pre-order issue 3 of INQUE, limited print run, link in bio
In the new issue we conduct a rare interview with the iconic American artist Jim Dine, interviewed over several months by his grandson, August Dine. If you like art; making art; looking at art; gossip; paint; drawing; galleries or food, this one is for you.
Pre-order link in Bio
On buying weed in Ibiza and carrying the curse of a dead Scottish poet; another Open Letter to Astonishment by David Keenan @reversediorama
Issue three pre-order here @InqueMagazine
"Inque Magazine is a literary force that will memorialise our time." It's Nice That on issue two... Thanks for the kind review...
https://t.co/GxGMopDr2U
The tough lives of the previous boom generation. Photographed by Thomas Prior as part of our Mining for AI essay by @katecrawford. "Life became a burden. Dynamite was his way to the other side."
Luminous new work from @nicholsonbaker8 in the new issue of INQUE.
"I love mushrooms, lichen, oak leaves, the edges of things, buckets of house paint on ladders, moons of all kinds, tiny bicycles, and small ornamental bridges."
A cheeky reminder that INQUE won the British Society of Magazine Editors @bsmeinfo 'Launch of The Year' for our launch issue last year. Well done to the whole team- writers, artists, thinkers and poets - who were part of it.
As the war in Ukraine rages, crimes of enormous brutality are committed every day. The difficult work of recording the facts is indispensable to how future generations will understand this terror. Incredible essay by the iconic reporter @janinedigi
Photography by @nicoletung6
In the exchange between a reporter and their subject, the writer usually has the upper hand, able to bend facts to their will in the final copy - but maybe the subject can strike back. A powerful essay by Natasha Brown on the state of journalism.
https://t.co/zDCJL0uZxe
Issue two runs an interview with the astonishing author Natasha Brown (one of her last, she admits), talking to Rebecca Liu @becbecliuliu about her stunning first book, Assembly, the need to interrogate language and what she is working on now...
There is a material cost to the creation of AI, and it begins deep in the earth's crust. @katecrawford takes us on an extraordinary journey that illuminates this apparent wonder. Photography by Thomas Prior.
Link to buy: https://t.co/zDCJL0uZxe
"The softness" is a systematic, diffused development within music, not a single aesthetic tendency, though it contains strands that could be seen as tendencies. It starts with the phone screen... The great @sashafrerejones listens in...
https://t.co/zDCJL0uZxe
I SAW A BLACK BRA HANGING FROM A TELEPHONE WIRE
I SAW A WINDMILL ON ITS SIDE LIKE A GIGANTIC GEAR TURNING ON ITSELF
A BARN SINKING SLOWLY
A TOP HAT WITH A HEAD STILL INSIDE BALANCED ON A LEGLESS TABLE
…Remembering the @tomwaits poem for the launch issue of INQUE
In a world dominated by corporate publishing, independent writers can feel powerless. Starting your own magazine, building your own press, such as @uglyducklingprs, provides one avenue for a new relationship with words. By Rachel Allen.
https://t.co/zDCJL0vxmM
As a city is built throughout the years, construction and demolition make layers - spaces in which the past, partly paved over, can reappear. In lost tube stations, we glimpse other possibilities, and maybe other ways of knowing. @MjTurner_ takes a trip down...
Every year, Americans pack away their possessions into self-storage - lockers stuffed with things their owners may never glimpse again. Does something deeper in the psyche keep Americans unable to separate from their possessions? @SophieHaigney dives in...
https://t.co/zDCJL0uZxe
.@FastCompany looks inside the business model of @InqueMagazine, the limited-edition, ad-free magazine from #MattWilley and Dan Crowe that will publish only once a year for the next decade https://t.co/YweEwC5OYd