imagine you’re struggling to merge off the 110 to take the 6th street exit while high above, Joyce Carol Oates observes you with the cold, Olympian gaze of a god
the ending of THE GODFATHER, the best american movie ever made, doesn't work without diane keaton's final look --- at the realization of who she's married and what her life is going to become and what corruption lurks behind closed doors. unforgettable, inimitable work. RIP.
The use of long lenses throughout all of One Battle After Another is literally to die for but yeah i will never forget seeing this sequence in IMAX as long as i live