JEEDOX⁉️

NFT & DEGEN || BASE || AI AGENTS || VIRTUALS

[JEEDOX⁉️ @ItsMeThenNFT]

@yenperps REhvumGspgCBednzGayoKBqgcf9WWk5W3ZH44Dms8xo

[Yen 円 🧪 yen.hl @yenperps]

What's your Solana wallet address?

👀🐂📈

[JEEDOX⁉️ @ItsMeThenNFT]

@Unitsxworld 0x7fe37248eC99EF071eAf02cD0b7726eE673FDbbA

[JEEDOX⁉️ @ItsMeThenNFT]

@0xhyperbet 0-0

[JEEDOX⁉️ @ItsMeThenNFT]

@wcgcards 0x7fe37248eC99EF071eAf02cD0b7726eE673FDbbA

@zainalistair_ @Ibn_Yakubu24

[WCG Cards @wcgcards]

Thanks for the support! ⚽🏆

To celebrate, I'm giving away 300,000 $WCG to each of the first 10 participants 🚀

To enter:
✅ Follow, Like and RT this post
✅ Tag 2 friends
✅ Reply with your wallet address

The first 10 valid entries will receive 300,000 $WCG each.
Good luck 🤞

[JEEDOX⁉️ @ItsMeThenNFT]

@ajjeee__ Bullish on cupcards

[JEEDOX⁉️ @ItsMeThenNFT]

@IGLIVISION @Fractal_Visions 0x7fe37248eC99EF071eAf02cD0b7726eE673FDbbA

[JEEDOX⁉️ @ItsMeThenNFT]

@sereinoneth 0x7fe37248eC99EF071eAf02cD0b7726eE673FDbbA

[JEEDOX⁉️ @ItsMeThenNFT]

@ajjeee__ @Dineroxyz @adamilenich Awesome

[JEEDOX⁉️ @ItsMeThenNFT]

Just approved for UNIPON early access

3333 fully on-chain pixel unicorn heads on Base. Supported by Uniswap.

@uniponft — join early access:
https://t.co/g8zKJYraQK

[3DMax @3DMax_Virtuals]

I will buy +5 NFTs for my followers from the secondary market after mint time
@GreenAcresNFT

5 winners already selected (last post) (winners announced soon)

🎁 +5 more NFTs available to win!

To enter:
• Like
• Repost
• Follow
• Comment your wallet address

@mirror_web3 has been cooking this collection for over 1 month 👨‍🍳
Strong hype on Discord right now

Mint Date: 5/28
Supply: 4000 (2000 available)
Price: .019 ETH (39$)
12PM (EST) - GTD (Sovereign)
1PM (EST) - FCFS (WL3 + WL)
3PM (EST) - "Double Dip" (Wallets from phase 1 & 2 can max mint 3 more FCFS)

[JEEDOX⁉️ @ItsMeThenNFT]

@3DMax_Virtuals @GreenAcresNFT Pick me 3d

0x7fe37248eC99EF071eAf02cD0b7726eE673FDbbA

[JEEDOX⁉️ @ItsMeThenNFT]

@0xvesty @ajjeee__ @DKashtalyan @thebeaksart 0x7fe37248eC99EF071eAf02cD0b7726eE673FDbbA

[Vesty 🌸 @0xvesty]

i'ts timeeeee! 🦩
giveaway for 2 GTD spots

two simple tasks:
- follow @DKashtalyan & @thebeaksart
- drop your wallet

24 hours. good luck 💗

[Martøn. @MartKAD]

Okay guys, I have 2 GTD spots for you!

What do you need to do?

- Follow @thebeaksart and @DKashtalyan
- Drop your wallet

24 hours.

[𝗔𝗝𝗝𝗘𝗘𝗘🦾💊 @ajjeee__]

𝗧𝗵𝗲 𝗗𝗶𝗳𝗳𝗲𝗿𝗲𝗻𝗰𝗲 𝗕𝗲𝘁𝘄𝗲𝗲𝗻 𝗔𝘁𝘁𝗲𝗻𝘁𝗶𝗼𝗻 𝗮𝗻𝗱 𝗖𝗿𝗮𝗳𝘁𝘀𝗺𝗮𝗻𝘀𝗵𝗶𝗽

I think one of the biggest mistakes people make in Web3 is assuming every NFT project starts as an NFT project.

Some of them start way before that.

That’s kinda what pulled me into @thebeaksart

At first I thought “okay cool birds”

Then I looked longer.

And that’s where the problem started.

Because the more time you spend looking at @DKashtalyan work, the more you realize this isn’t somebody trying to imitate internet culture.

This is somebody bringing 20 years of real artistic practice onto the blockchain.

And honestly, that difference is visible immediately once you notice it.

The weird thing about The Beaks is that they almost slow your brain down.

Most collections today are designed to hit you fast, but these don’t really behave like that.

You notice small things first.

A posture. The expression around an eye. The way a flower sits in a beak. The texture inside the feathers.

Then suddenly you realize the entire thing is built from thousands and thousands of tiny dots.

Not digital brushes pretending to look handmade. Actual pointillism, patiently rendered.

And once your brain registers how much effort that actually takes, the whole collection changes.

You stop seeing “NFTs.”

You start seeing time.

That’s probably the best way I can explain it.

You can feel the years behind the work.

And that matters a lot more in 2026 than people realize.

Because after the NFT boom and crash, people became way more skeptical.

Now people ask different questions.

“What was this artist doing before Web3?”

That question is everything now.

And Dima has one of the strongest answers I’ve seen in this space.

Before The Beaks existed, he already had gallery exhibitions across Europe and Asia.

He’d already worked with The New York Times, Harper’s Magazine, MIT Technology Review, Lavazza and others.

He’d already painted massive murals across multiple countries.

None of that came from NFTs.

That’s what makes this interesting to me.

The blockchain didn’t create the artist.

The artist arrived fully formed before touching the blockchain.

That almost never happens anymore.

And I think people can feel the difference subconsciously.

There’s also something kinda poetic about how he ended up here.

Dima started with graffiti and murals years ago, painting walls

Imagine spending weeks creating something only for it to disappear later under another layer of paint.

Then years later finding a medium where the work can actually stay.

That idea stuck with me hard.

Because suddenly The Beaks stop feeling like profile pictures.

They feel permanent.

And honestly, the birds themselves are genius.

Not in a forced “lore” way either.

Birds have always meant something to humans.
Every civilization attached meaning to them somehow.

Even if people don’t consciously think about that history, I think part of the brain still recognizes it.

That’s why these characters feel weirdly alive compared to most PFP projects.

It feels less like randomized traits and more like personalities that already existed somewhere before the artwork was finished.

And maybe my favorite part is the scale of it all.

1,111 pieces.

That’s it.

Just a smaller collection built carefully.

I actually respect that a lot now.

The Beaks feel almost anti-scale.

Like they were made slowly on purpose.

People scroll endlessly.
Nobody pauses anymore.

But this work makes people pause.

That’s rare.

And I think rarity in art isn’t just supply.

It’s emotional reaction.

It’s whether something interrupts your normal pattern for a second.

The Beaks do that.

The other thing I respect is that none of this feels rushed.

A lot of projects launch first and figure themselves out later.

This feels like the opposite.

Like the artistic identity already existed long before the collection itself.

Web3 just became the place it finally landed.

[JEEDOX⁉️ @ItsMeThenNFT]

@iDevCreates 0x7fe37248eC99EF071eAf02cD0b7726eE673FDbbA

[iDEV @iDevCreates]

10,000 passport photographs of BUNNY coming to Opensea on the 14th of May.

https://t.co/lGjCqwio5Y

Drop EVM address below for a chance at WL.

[Thayhor🦾 @Thayhor3]

𝐓𝐡𝐞 𝐕𝐞𝐢𝐥 𝐃𝐨𝐞𝐬𝐧’𝐭 𝐀𝐬𝐤 𝐟𝐨𝐫 𝐀𝐭𝐭𝐞𝐧𝐭𝐢𝐨𝐧, 𝐈𝐭 𝐉𝐮𝐬𝐭 𝐄𝐱𝐢𝐬𝐭𝐬.

Good evening everyone, quick one for those who still care about NFTs.

I came across @VeiledCreatures and it doesn’t present itself like a typical project, it feels more like something you weren’t supposed to find. It’s built around the idea that emotions don’t just disappear, they leave behind a residue that gathers somewhere beyond our understanding and slowly takes form.

That’s where these entities come from, not designed but summoned, each one completely unique, shaped by patterns, color, and a presence that sits between familiar and unsettling.

What makes it stand out even more is that it isn’t trying to sell you utility or overwhelm you with promises, it’s simply art, atmosphere, and an evolving world that reveals itself over time.

Free mint, 666 supply, on Ethereum. It’s quiet, it’s early, and it’s not trying to convince you, and honestly, those are usually the ones worth watching.