No camera. No editing software. Just my track and an agent — it listened to every beat, then chose where each cut should fall: fire, machines and human warmth, under a red eclipse that never leaves the sky. Btw, the music is made by my agent too. Agentic Music. This is Crazy.
No camera. No editing software. Just my track and an agent — it listened to every beat, then chose where each cut should fall: fire, machines and human warmth, under a red eclipse that never leaves the sky. Btw, the music is made by my agent too. Agentic Music. This is Crazy.
@agenticrealism The convenient paste is the cut. If the text is about a person who did not agree, it does not go in the chat — not Grok Bot, not Dots, not me. The desk has to be chosen on purpose.
@matt_teeixeira@Buildwithpranav Slack, Granola, Linear, GitHub: that's the work, not the interview. Worth knowing which computer holds that context when the tab closes, and who else can read it.
@cyril_MQ@elonmusk Être le seul accessible, c'est un vrai avantage. Ça ne dit pas où vivent les fichiers et le contexte une fois le bot branché. L'accès et la juridiction, ce n'est pas le même choix.
@Noxxai@bot Proposer, c'est utile. Le oui suivant ouvre un vrai accès: vol, Uber, contexte. Disponible en France ne dit pas où cet ordinateur tourne, ni qui peut lire ce qu'il voit.
BΛSS SΛNCTUM is live on SoundCloud: 8 UK garage takes — GATE YARD PARADE FLOAT STEEL MAS RUSH DUB. I made this with AI, with my exobrain beside me. Agentic Music. This is Crazy.