@mktoon Exactly. How is it so difficult for these pea brain people to understand that Nolan doesnt give a fuck about woke/dei bullshit and just liked working with Page and decided to work with Page again? Like he does with so many people.
@TheRochaSays I cant help but watch this trailer with a massive smile on my face. Looks incredible. Cannot wait to do a double feature of this and Dune 3.
@TheRochaSays This man isn’t just a narcissist, he is mentally insane. Always has to ruin everything. Doesn’t have one honorable bone in his body. Such an embarrassment.
You have to be a special kind of stupid to believe Democrats were capable of stealing the 2020 election while out of power, but somehow incapable of doing the same in 2024 while in power. That is a categorically, phenomenally dumb thing to believe.
Anti-woke people are truly the weakest people alive.
Wait until I tell them there's a loved adaptation of Hercules where Hades talks like a scummy lawyer, Zeus is good, and the story is told by black gospel singers, one of whom is thicc and gets some of the best lines.
The Odyssey is going to make a bunch of money, win a bunch of awards and millions of people will love it. Hating it sight unseen because you want to be part of an edgy antiwoke movement spamming buzzwords and slurs in comment threads is just a miserable way to live.
In 2026, being a rightoid means pretending that Christopher Nolan is a bad movie director while pretending Uwe Boll is a good movie director, the whole ideology has degenerated into being a whiney contrarian.
EXCLUSIVE: #YoungWashington employed five AI artists along with an AI producer and crew member. About 100 shots in the film were augmented with AI, such as establishing shots and the firing of physical cannons the crew rented.
“My view on the use of these tools is: Do everything you can for real, everything you possibly can, and then use these tools to amplify your vision and give you a bigger canvas. What I’ve learned is these tools are best used not when they replace fundamental aspects of filmmaking, but when they amplify and when they augment them,” says director Jon Erwin.
https://t.co/mSoTcg9Jkq