Jane Wright

Arts & culture commissioning editor for The Conversation; freelance journalist, author, book editor, speech writer, travel writer and ghost writer.

[Jane Wright @JWConversation]

We watched the first Enhanced Games live in Las Vegas – this is what we learned https://t.co/giBKXKKIVS via @ConversationUK

[Jane Wright @JWConversation]

Britain’s reading revival may be failing to reach those most disconnected from books https://t.co/JWhGwXJ93d via @ConversationUK

[Jane Wright @JWConversation]

Mariana Martines: the infuriating reason you’ve never heard of this brilliant 18th-century composer https://t.co/jRrmTOU3D4 via @ConversationUK

[Jane Wright @JWConversation]

@BeckyLTuch Yes! Obviously it depends on what you've got on your plate, pram in the hallway and all that. But I am 60 and I feel like I am about to enter my most creative period. Lots of big life changes are contributing to that but mostly it's just down feeling good about age and experience

[Jane Wright @JWConversation]

Moss & Freud: this anodyne portrait of their artist-muse friendship lacks dramatic bite https://t.co/UXA9P760aq via @ConversationUK

[Jane Wright @JWConversation]

Are we getting tired of superheroes? The evidence might surprise you https://t.co/9fYQINPvJV via @ConversationUK

[Jane Wright @JWConversation]

The Enhanced Games: ‘dangerous clown show’ or a wake-up call for traditional sport? https://t.co/ze9BGdmm69 via @ConversationUK

[Jane Wright @JWConversation]

John of John: weaving an island tale of secrets that lie beneath repression and shame https://t.co/3DIDQFwVx9 via @ConversationUK

[Jane Wright @JWConversation]

Rivals season 2: Jilly Cooper’s Rutshire drama shows good sex from a woman’s point of view https://t.co/bwiLMfJHDU via @ConversationUK

[Jane Wright @JWConversation]

The puppet shows bringing storytelling and solace to bomb shelters in Ukraine https://t.co/HP3ktJftFx via @ConversationUK

[Jane Wright @JWConversation]

Eric Morecambe at 100: the beloved British comedian with an anarchic northern spirit https://t.co/OL3ns7bIbZ via @ConversationUK

[Jane Wright @JWConversation]

The Christophers explores the world of art fakes, but leaves its hardest questions unresolved https://t.co/CeUE8KSUdX via @ConversationUK

[Jane Wright @JWConversation]

International Booker Prize 2026: heartbreak, brutality, shapeshifting – six experts review the nominees https://t.co/2BbJWYKn4m via @ConversationUK

[Jane Wright @JWConversation]

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show https://t.co/Lw6c2OzZs4 via @ConversationUK

[Jane Wright @JWConversation]

Legends: new undercover drama explores tense clash between state loyalty and criminal credibility https://t.co/18zR85Bj8N via @ConversationUK

[Jane Wright @JWConversation]

The other Brontë sister: why do we always forget about Anne? https://t.co/ftMPSkJ5oo via @ConversationUK

[Jane Wright @JWConversation]

The Epstein Files: the AI podcast that sounds like journalism but isn’t https://t.co/t8UmxO0Hj9 via @ConversationUK

[Jane Wright @JWConversation]

The Devil Wears Prada 2: lots of frothy fun, not so much devilry https://t.co/iLXy7h0joN via @ConversationUK

[Jane Wright @JWConversation]

Romeo and Juliet: a ‘Sliding Doors’ production that plays with time to explore what might have been https://t.co/3lOq8Ke5EW via @ConversationUK

[Jane Wright @JWConversation]

Joan Eardley: ‘she would set up her canvas on the shore and paint in the lashing wind and rain like a woman possessed’ https://t.co/rmDyvPfIf7 via @ConversationUK