Then because of the long Abm vamp at the end, when you start the song over, and you hear the opening B Major chord, you get that resolution from going back to the more peaceful major key.
From a harmonic perspective it’s the perfectly balanced song because the verse is in B Major then it goes to the relative minor for the chorus. That makes the verse is light and airy, and the chorus more tension filled. Speaking of the chorus, the chords are literally falling-
Gather musicians, composers, lyricists, vocalists…tell me why this song is so good? Like I want an analysis about harmonics and chords, and all dat. I legit wanna know your expert opinion.
a long vamp followed by a fade-out, those elements cause the song to get stuck in your head more, because it makes it evergreen, when the recording concludes, it feels like they are still going for a a lifetime because you never really heard the ending.
@bbboatclub Fair point. This makes me sick but I understand in the tight-pocketed music market of today, every cent matters. Still think it’s an unfair jab at Marcus who does a lot of great work
Our #SongoftheDay is "ride or die" by JaRon Marshall (who also plays with @blackpumas). It's a warm and earthy piece that gets progressively more frantic by the tension the drummer creates.
Listen at https://t.co/gsImpXyb95
#NowPlaying#SotD#tPsSotD@JaRonTMarshall
JUST ANNOUNCED: Accomplished artist @JaRonTMarshall skillfully fuses elements of jazz and R&B to make his unique sound. Don't miss hearing it live as he takes over Drake Underground on November 24th! Tickets on sale Friday: https://t.co/W8V6aBbXCF
.@JaRonTMarshall's new single 'Nostalgia' featuring Béesau is featured on @nprmusic's show Jazz Night in America highlighting their staff's favorite new releases every month : https://t.co/FWeHyWXSB1 #NPR#jazz