🔥����: Un niño pequeño que lucha contra el cáncer se aferra a su juguete favorito.
En cuanto se da cuenta de que está encendida, saluda a la cámara con la mano.
Police in Jacksonville, Florida saved a young man’s life by praying with him and talking him out of jumping off the Dames Point Bridge, the tallest bridge in the city.
🚨 #ALERTA | Tragedia en el Rally en Córdoba: murió un espectador y suspendieron la competencia
📌 Fue tras un accidente en el tramo Giulio Cesare en Mina Clavero
📌 La víctima tenía 25 años, sufrió lesiones de gravedad y falleció en un hospital cercano
@TMobileHelp I'm porting to Mint. My phone is on SOS and I have a Transfer PIN error. Can you verify if Port Out Protection is disabled and if my PIN is valid?
🌏 VIETNAM 🇻🇳 | NIÑO 👦🏻 MUERTO POR IMPRUDENCIA DEL ABUELO 👴🏻
🚂 Un tren atropelló a un abuelo y dos nietos que cruzaron una vía con imprudencia.
Los tres fueron arrojados del vehículo a unos 7 metros. El pequeño Thiện, que iba sentado detrás de la caja del camión, falleció en el acto. Sentados en el asiento del conductor y el del copiloto, el señor Mẫn sufrió una fractura en el hueso del talón, el pequeño Lâm se fracturó un brazo; ambos fueron trasladados al Hospital General de Phú Yên, a unos 17 km del lugar del accidente.
Sure, your eyes aren’t tricking you. That clip looks better than the new trailer, and the reason has nothing to do with talent. The VFX supervisor on Amazing Spider-Man 2 in 2014? Jerome Chen. The VFX supervisor on Brand New Day? Also Jerome Chen. Same person. Completely different system around him.
In 2014, Chen had 50 effects artists at Sony Imageworks, the largest VFX crew the studio had ever put on a single project. They handled about 1,000 of the film’s 1,600 VFX shots on a $255 million budget. The crew shot on real film (not digital), on location in actual New York City, scanned Times Square with 36,000 photographs of over 100 billboards, and built physical lighting rigs on set so the CGI would match the real world.
Now look at how Marvel makes Spider-Man movies. No Way Home had 2,500 VFX shots spread across 12 studios and about 3,000 artists. The budget was $200 million, $55 million less than TASM2 despite having 56% more VFX shots. Digital Domain, one of the VFX vendors, was delivering final shots days before the December 17, 2021, release. They kept reworking shots into mid-January, after the movie was already in theaters.
Zoom out, and the math gets worse. Marvel released 6 films between 2008 and 2012. From 2023 to 2025, they pushed out 7 films and 7 TV shows. The Hollywood union representing VFX workers reported that Marvel pays artists about 20% below industry average and staffs one person where other studios hire three. Artists described 64-hour weeks and breakdowns on the job. Then, in February 2025, Technicolor, the parent company of MPC (three-time Oscar winner for Life of Pi, The Jungle Book, and 1917), collapsed almost overnight. 4,500 jobs gone globally. The studio had been actively working on Disney and Paramount films when the lights went out.
Brand New Day has four months before release, and trailers routinely show unfinished shots. But the gap between a 2014 Spider-Man and a 2026 Spider-Man has nothing to do with technology going backwards. The industry has been asked to do three times the work for less money per shot while its biggest studios are going under.
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