Jamjo🪼

creator on hiatus.

[Dat @DatDaDatty]

ggez but the beat is jane remover jrjrjr

[slayr @countdragons]

done sampling that typa shit idk why ppl gotta be racist and then yall confuse that shit with my actual fans, enough

[slayr @countdragons]

genuinely opened a gateway to the hellspace thats my bad

[❤️ jamie p! 💚 @pamiejaige]

i really hope these kids can grow and change and actually treat black artists and black people like fucking human beings someday but until they do i dont want them feeling even a little bit welcome listening to my music or acting like theyre fans. fuck off

[❤️ jamie p! 💚 @pamiejaige]

genuinely asking myself how much i even wanna keep making music for a bunch of racist fucking white tiktok teenagers with no respect or brains. i don't fuck with any of you. slayr deserves better than this

[slayr @countdragons]

daytonaaaaaa

[bbpanzu @bbpnz213]

Keep Me Goin'

[❤️ jamie p! 💚 @pamiejaige]

SLAYR MY GOAT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

The Backrooms
A world where nostalgia and novelty attack you in the form of "art." I'm blown away. It reminds me of pseudo-3D games from the 2D era, back in the dawn of RPGs and the Family Computer (NES), before polygons and textures existed. Simulated 3D spaces built from looping, repetitive visuals: digital labyrinths unconstrained by the rules of architecture. I used to draw maps on graph paper just to keep track of where I was. That sense of confinement. That feeling of anxiety. Both are revived here in live action. The art direction is clever, incorporating elements of art, architecture, and psychology. This is a 21st-century liminal-space version of "CUBE," a work of surrealism and cubism in which video games of the 1980s and the modern world connect across dimensions.

[slayr @countdragons]

damn i lied

[umru @umru_]

So proud of U

[The Living Tombstone @LivingTombstone]

Man what is this

[D'no @Deanooooo00]

Mf this is Oscar Piastri 😭😭😭

[Charli @charli_xcx]

soooo excited to announce the Music, Fashion, Film Tour ! sign up for presale access now through june 10th at 11pm ET. can’t wait to party together again, it’s gonna be cute xx

https://t.co/3bjInW0bDI

[U @underscoresplus]

U for XCX — this fall
(╥ヮ╥) (╥ヮ╥) (╥ヮ╥)

[emwell @_emwell_]

After a fun 5 years I’m officially parting ways with Our Generation Music🔰 Forever part of my journey and I’ll always be grateful💙

Everyone who has been supporting me or even hated me im grateful to even have people tune into my content. I appreciate all of you so much fr

With that being said I will be taking “Well Well Well Show” independently. As I enter this next chapter, I’m looking forward to exploring new opportunities and collaborations that can help me take the show to new heights!

The journey is the reward💭 I love yall we leveling up soon🤍👨‍🏫

[Jamjo🪼 @JamjoKB]

@_emwell_ @OGMusicCo WHAT

[House House @house_house_]

🔴🟡🔵 BIG WALK 🔴🟡🔵

Our new game about walking and talking comes out August 4 on Steam, Nintendo Switch 2 and PlayStation 5.

Hang out and get lost with close friends in a big world.

[DiscussingFilm @DiscussingFilm]

‘BACKROOMS’ director Kane Parsons says he would get “no enjoyment” out of using generative AI on any project — “It defeats the purpose entirely for me.”

“I think I'm in the same boat as most well-adjusted people. If I could snap my fingers and make generative Al disappear forever, I probably would.”

(Source: https://t.co/LA3K1o9KjK)