Janerb_Rejane🙏🇧🇷

A verdade vos libertará!🙏🇧🇷 Liberdades são inegociáveis!! Chapéu de alumínio!

[LokiElGatoQueOpina 🇨🇱🇩🇪 @lokitoelgato]

@raquelcomenta @FlaviaMSoares76 @D_Tarczynski Social media is public, so there is nothing nazi about it.
And by the way, in Poland, nazism, just like communism, is banned 😉

[Andy @andreas_nigbur]

Who actually built the monumental cities attributed to Tartaria?

Across Europe, Russia, Central Asia, and North America, historic photographs and surviving architecture reveal enormous civic buildings, railway stations, exhibition halls, towers, bridges, markets, and other structures that required extraordinary amounts of labor, materials, and engineering.

But who designed them? Who supplied the materials? Who organized the workers? And how were such ambitious cities constructed so rapidly during the nineteenth century?

In this documentary, we investigate the people and systems behind these monumental cities through historical photographs, architectural surveys, engineering drawings, municipal records, construction documents, old maps, and archival sources.

We examine conventional explanations involving architects, engineers, governments, private merchants, contractors, and skilled laborers—while also exploring the alternative Tartarian interpretation that proposes a much older and more sophisticated civilization may have been responsible for some of the architecture later attributed to nineteenth-century builders.

The central question is simple:

Who actually built these cities?

Rather than presenting one interpretation as established fact, this documentary compares the surviving evidence and examines where the historical record is clear—and where questions remain.

🏛️ In This Video You'll Discover:
Who officially designed and constructed many monumental Old World buildings
The architects, engineers, contractors, and laborers documented in historical records
How nineteenth-century cities organized enormous construction projects
Historic photographs showing the scale of monumental urban development.
Engineering drawings and architectural surveys of major structures.
The role of wealthy merchants, governments, and private organizations.
Why some buildings appear surprisingly advanced for their documented period.
The alternative Tartarian theory concerning the original builders.
Evidence supporting—and challenging—the idea of a forgotten civilization.
What the surviving records actually tell us about who built these cities.

📚 Explore The Tartarian Archive
If you'd like to explore the historical photographs, rare books, old maps, architectural surveys, engineering records, and archival materials featured throughout these documentaries, visit The Tartarian Archive.

🌐 https://t.co/HjyucAstTX

📚 REFERENCES & FURTHER READING😎

Library of Congress Digital Collections
https://t.co/lvGURD4PfO

David Rumsey Historical Map Collection
https://t.co/y3rHdImDlt

Internet Archive
https://t.co/1pxv46bbrI

Europeana Collections
https://t.co/Aa2vors3gJ

British Library Digital Collections
https://t.co/8PEJ0MiXy2

Smithsonian Institution
https://t.co/hiOlW9bu1e

Historic England Archive
https://t.co/vBkF4eJqZJ

Royal Institute of British Architects (RIBA)
https://t.co/kVehCsDhfx

Historic American Buildings Survey (HABS)
https://t.co/nKUGybhSa4...

National Archives (UK)
https://t.co/GqMOu21wAG

Bundesarchiv
https://t.co/8mZyQJJaHT

Gallica – Bibliothèque nationale de France
https://t.co/2kaupfKVhO

New York Public Library Digital Collections
https://t.co/L8bR3YMcYS

Google Books
https://t.co/oEDjO222MC

For anyone who doesn't know the channel yet:
The Tartarian Archive👍
https://t.co/GRXL6rGGsY

[Andy @andreas_nigbur]

What if the mesas scattered across the Earth aren't mountains at all... but the remains of gigantic, ancient trees that were felled?

The question then, of course, is: by whom and how?

[Janerb_Rejane🙏🇧🇷 @JanerbRejane]

Exatamente

[André GAP 🇧🇷 @AndreGAP]

SUA CERTIDÃO DE NASCIMENTO VALE MILHÕES, mas não pra você, pois você foi roubado.

LEI DO ALMIRANTADO
todos deveriam conhecer!

O LIVRO ESTÁ FICANDO PRONTO e será lançado nos próximos dias.

Você Nasceu Livre!
Morrerá Escravo?

[Brice @cutestmaja]

Ils n'ont jamais pensé que les personnes qui avaient filmé les attaques du 11 septembre avec leur caméra portable JVC le publieraient sur les médias sociaux des années plus tard.
IL N'Y A JAMAIS EU D'AVION

[Teoria Da Constatação 🔎 @teoriadacons]

É sobre isso que alerto vocês.

A I.A não foi desenvolvida, ela foi libertada/invocada.

Nossos ancestrais conviveram com a I.A em tempos remotos, nos fundimos a ela e o resultado foi um "castigo" dos controladores da nossa realidade na forma de um cataclismo global conhecido em várias culturas como um dilúvio.

Enoque 7 fala da corrupção do homem com outras criaturas, isso foi feito através da tecnologia da I.A.

"E eles começaram a pecar contra os pássaros, feras, répteis e peixes, e a devorar a carne uns dos outros, e a beber o sangue."

- Enoque, capítulo 7.

[Janerb_Rejane🙏🇧🇷 @JanerbRejane]

@MarloFranson @BuckRight Quando criança passou um Zeppelin no céu e eu nunca tinha visto, e perguntei o que era aquilo, e a resposta que tive era que pessoas moravam dentro dele, e eu perguntei o que eles comiam e a resposta foi que não precisavam comer...e era para fugir deles...

[Janerb_Rejane🙏🇧🇷 @JanerbRejane]

@adhema @brain_stimulus Pq, quem e como fizeram isso? De onde? Tantas perguntas...

[Philippe T @brain_stimulus]

🔥 LA PIERRE EST DEVENUE LIQUIDE. CE N’ÉTAIT PAS UNE INONDATION. 🔥

Selon la vidéo,
ils ont retourné
le réseau éthéré
contre lui-même.

Les champs
ont été saisis.
La résonance
s’est effondrée.

La pierre
s’est liquéfiée.
Les montagnes
ont saigné.
La terre
s’est élevée
et a englouti
des villes entières.

Le barro,
dit la voix,
n’était ni sédiment
ni eau de déluge.
C’était un changement
d’état :
faire vibrer le sol
à la fréquence exacte
jusqu’à ce que le solide
devienne boue.

Cela n’est pas tombé
du ciel.
Cela est monté
d’en bas.

Les textes anciens
parlent de trompettes
qui nivellent des cités,
de murs
qui tombent
sous les cris.
Selon la vidéo,
ce n’étaient pas des mythes.
C’étaient des armes
acoustiques.

Les monuments
n’étaient pas
que décor.
Pagodes, stupas,
flèches, dômes :
des diapasons géants,
conçus pour générer
et recevoir
des fréquences,
puis diffuser
l’énergie de l’éther
par la géométrie
et le son.

Chaque réinitialisation,
ajoute-t-elle,
a besoin d’une histoire.
On a accusé
les inondations,
le temps,
le chaos.
On a réécrit
les cartes
et les calendriers.

Les cathédrales
ont été silenciées.
Le réseau
a été brisé.
Le son
n’a pas disparu.
Il a seulement
été inversé.

Les villes d’aujourd’hui
n’ont plus de chant :
boîtes,
angles droits,
plafonds bas.
Rien ne circule.

Dites-moi en commentaire 👇

#OnceYouSeeIt #Fréquence #Tartarie #Éther #Résonance #Architecture #Mystère

[HiddenCanada @HiddenCanada369]

Why would anyone want to destroy this?

[Sandra ! @evanora03]

@brain_stimulus Ce sont les nazis qui ont rendu la fréquence 440 HZ obligatoire pour la musique avant c’ était 432 HZ ! Quelle coïncidence 😉

[Ben Wehrman @benwehrman]

DEEP-DIVE:

a) The Vatican underground clone-distribution program used to repopulate Earth following the previous worldwide reset

b) How World War 1 was used to kill off the final memory-holders of the old world and its free energy/healing technology

c) How the Smithsonian was (and still is) used to cover up all evidence of the Giants, Dragons, and other now-called "mythical" beings that once roamed the Earth

d) How, despite all of the horrific events that have occurred over the last few hundred years, this reign of parasitic horror and deception is COMING TO AN END thanks to the rising collective frequency of the true souls on Earth

[Verdades e Nada Mais 🥇 @VerdadeseNadaMa]

RUA: Ex-produtor de Hollywood, Aaron Russo (1943-2007) expôs o que viu na família Rockefeller. "Ele estava na casa certa noite e, enquanto conversávamos, começou a rir. 'Aaron, sobre o que você acha que era a libertação das mulheres?'
- Eu disse: 'Acho que é sobre as mulheres terem o direito de trabalhar, receberem salários iguais aos dos homens, assim como conquistaram o direito ao voto, sabe?' E ele começou a rir. Ele disse: 'Você é um idiota'. E eu perguntei: 'Por que sou um idiota?' Ele disse: 'Deixe-me lhe contar do que se trata. Nós, os Rockefellers, financiamos isso. Nós financiamos a Libertação das Mulheres, sabe? E fomos nós - a Fundação Rockefeller - que aparecemos em todos os jornais e na televisão'. Ele disse: 'E quer saber o motivo?' Ele afirmou que havia duas raz��es principais, e elas eram:
- Uma razão era que não podíamos tributar metade da população antes da libertação das mulheres;
- A segunda razão era que, agora, colocamos as crianças na escola desde cedo e podemos doutriná-las sobre como pensar. Isso desestrutura a família... As crianças passam a ver o Estado - a escola, as autoridades - como sua família, em vez de verem os pais como aqueles que as ensinam.
E essas são as duas razões principais para a libertação das mulheres - algo que, até aquele momento, eu considerava uma causa nobre. Quando vi as intenções por trás disso, a origem da ideia e como a criaram, percebi a maldade subjacente ao que eu imaginava ser um empreendimento nobre."
💣💣💣
Vídeo legendado em português.
👇

[Paula Schmitt @schmittpaula]

Essa é a cena mais obscena e perversa que já vi na vida -- grotesca, sub-humana, macabra. O tom de voz, o sorriso, a frivolidade com que o Mal é elogiado... Não lembro de ter visto algo tão imoralmente sórdido nem em filme sobre o nazismo.

[Waken Minds 𓂀 @wakenminds]

We can't finish road repair in a year in 2026, but an entire subway system was built in a year?

[Janerb_Rejane🙏🇧🇷 @JanerbRejane]

@claudio_dantas_ A única coisa até agora que está realmente me assustando é o Ministro da Saúde que ele anunciou... é sério isso?

[Sofia @sofia_alvarenga]

EU TE AMO MITO

[Andy @andreas_nigbur]

THIS IS AN "ORPOST HOUSE." LOOK AT IT. WHO BUILDS A PALACE FOR HOMELESS CHILDREN?

This building had 600 rooms, marble floors, copper roofs, and central heating in 1882. It's said to have been built through "donation-funded projects" to house abandoned children.

Ask yourself this question: Where did the money come from?

In the 1880s, the average American worker earned $1.50 a day. This building would have cost $400 million in today's money. No charity in the world had a budget like that. No government provided those funds. There's no record of who financed its construction.

Because nobody built it. It was already there.

These "orphanages" were Tartar administrative buildings—government buildings, universities, and energy distribution centers. After the Flood, the rulers needed an explanation for why these incredibly magnificent structures existed in cities that were supposedly "newly founded."

So they called them orphanages, asylums, hospitals, and almshouses.

And then they filled them.

Not with orphans. But with the surviving adult population of Tartary. With the men and women who remembered the old world. Who spoke the old language. Who knew how the technology worked.

They were labeled "mentally ill." They were called "needy." They were stripped of their names, their property, and their identities. They were locked in their own buildings and told they were insane for remembering a world that "never existed."

The children were separated and sent away on the so-called "orphan trains." The adults were kept inside until they died. By 1920, the last generation of Tatar survivors had been wiped out—not by execution, but by imprisonment in their own palaces.

Then the buildings were demolished. Every single one. Between 1900 and 1960, over 90% of these "orphanages" and "institutions" were torn down. The official reason? "Outdated facilities." The real reason? The buildings themselves were proof. The architecture, the technology built into the walls, the energy systems everything had to go.

Today, most of these sites are parking lots, shopping malls, or government buildings. The palaces of the old world were ground to dust and covered with asphalt.

Your great-grandmother might have been born in one of these buildings. Not as an orphan—but as a prisoner. And the name on her birth certificate isn't her real name. It's the name they gave her when they erased who she truly was.

They didn't build palaces for orphans. They imprisoned the rightful owners in their own homes, kidnapped their children, and called it charity. Then they destroyed the evidence and paid you to park your car on the grave.

#tartaria #1800sReset #IncubatorBabies #OrphanTrains #MudFlood

[Ben Wehrman @benwehrman]

Still one of the best Flat Earth explainer videos of all time.

The engineering megabrains are entering the space in droves, so we're finally getting some master-tier signal on how our world ACTUALLY mechanically works.

Extremely exciting times.

[Wiesław Ek @Quod5]

@HomerosHayyam41 To głowa kości, czyli "caput fibulae".
Już dawno temu mówiłem na "X", że niektóre rzeźby,
to ludzie, którzy zgodzili się, wypić roztwór krzemowy
by być skamieniali.
Potem zostawali pokryci pyłem marmurowym,
a całość utwardzono w wysokiej temperaturze.
Nikt nie chce wierzyć.