Kiiro

In Silence We Yearn

[Kiiro @JauneKiiro]

Quién fuese perro... ZzZZzZ

[Parm (New Straw Hat Member) @parmderp]

Somebody out there is going to be playing the Xenoblade Chronicles series for the first time in 4K 60fps and have the best time of their life 🔥

[NotFort😪🇳🇬 @DefinitelyFort]

i love how this is just a canon experience

[Palvo @Palbote]

Con la falta de mechas en Xenoblade Genesis, me apetece hablar de ellos.

¿Sabías que los Úroboros de Xenoblade 3 son referencias a anteriores mechas de la Xeno- series? Atento, ¡que te lo explico!

[Alex @Sunsetzz04]

man i love jrpgs

[遠見 翔 @toomishou]

遅刻青子

[HouseQuay @HouseQuay]

Every fan of stories, characters, soundtracks, worlds or environments needs to play Xenoblade Chronicles.

Don't look up spoilers, don't look up characters, don't look up reviews, just go for it. I'm so glad that's how I experienced it, with no expectations.

Seize your destiny.

[NANO-ナノ-OFFICIAL @nanonano_me]

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏

If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.

Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.

It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.

More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.

Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.

I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.

Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO

[Punished Mizutamari @MizusPuddle]

Fire Emblem 3 houses is a mess and your perception of the four main factions is dictated fully by which one you started with.

If you started with Edelgard, she's a just ruler living in a horrendous society plagued by corruption. Meanwhile Claude is a backstabbing power grabber, Dimitri is literally an unstable maniac and the church is genuinely a bunch of crazed zelots.

If you pick anyone else, all the roles reverse to justify hating edelgard, even changing the lore of the universe to make her a villain.

She's not a victim of sexism like a lot of people say, she's a victim of a writing team that is physically incapable of making an interconnected story and since edelgard is the inciting action, she's now the villain in 3 of the possible 4 routes you can get.

[Alejandro🔸 @Stormblessed_07]

Para mí hay VNs que pueden ser también videojuegos como Danganronpa, pero no considero a todas las VNs como videojuegos. Es un formato mucho más enfocado en su lectura que su interacción, por más que hayan decisiones. Y esto no las hace peores ni mejores que los videojuegos

[🎤 OniBelfi 🎮 🗡️ #Zelda40th 🛡️ @OniBelfi]

No.

FF7 fue el primero que supo petarlo en Occidente con un marketing abismal (lo mostraban más como una película que como un videojuego), pero no revolucionó nada que no hicieran anteriores u otros JRPG como Dragon Quest

En cambio, no había nada igual a Zelda Ocarina of Time

[El Virgo @ElVirgo__]

BUFFFFFFFFFFFFFFFFFF QUIEN HIZO ESTOO??
#tbate

[Nova Silver ❄️ (1/4) @novasvr]

That scene is so peak

[Harika ハリカ⚔️ @moutenfujin]

Nope

[Alejandro🔸 @Stormblessed_07]

Tener a FMA como anime favorito porque es valioso para ti gracias a lo que te transmitió es mil veces más genuino que tener de favorito uno re desconocido solo para aparentar ser diferente ante los demás

La vida es muy corta para darle el gusto a otros y no validar los tuyos

[Ex-Soldier 🗡 @Ex_Soldier23]

I'm still so fascinated to this day that the games responsible for having the most gorgeous music you'll ever hear are sung in a made up/fake language that sounds like a real language

[Haru C.E.O. de las Waifus @ElHarux]

Porque el otaku promedio cree que para que una obra sea de tus favoritas tiene que ser de las mejores?
Por tener no tiene ni porque ser buena, de hecho puede ser la peor mierda del mundo y aun asi ser de tus favoritas. No entienden de criterio propio.

[🐼 Komatsu Beta 🐼 @KomatsuBetu]

No todo es final fantasy y persona saben?

[ラノてゃ👅 @ranopikori]

あまりに日本国外からの反応が大きいので、このツイートがどこの人達に流れてるか可視化します。

自分の国（使われてる言語）を選択してくださいな🙌

[⭐~Daviz~⭐ @CepixLCP]

Siempre en los JRPG/RPG los protagonistas suelen ser atacantes, magos, e incluso tanques

¿Porque no hacen más juegos donde el protagonista principal sea un sanador o apoyo?

[Nilo @DCdbkq2nOY4858]

貴女に祝福がありますように