@OGloboPolitica socialista é tudo bandido, mau caráter e burro.
defendem e financiam publicamente ditaduras, terroristas e assassinos e acham que todo mundo é jornalista (trouxa).
@folha que mané democracia. só engana jornalista e outros tipos de trouxas. um bando de frango socialista que defende grupos terroristas, assassinos e ditaduras publicamente
In the Odyssey, after the slaughter of the suitors, Odysseus deals with the female slaves of the palace.
Eurycleia tells him which of the servant women were unfaithful and slept with the suitors. There are twelve of these slave women. Odysseus first orders them to clean the hall (to remove the corpses and wash away the blood). Then he leads them out into the courtyard.
There Telemachus hangs them all together with a rope from a high beam (like birds caught in a net), in order to punish them with a dishonorable death.
The remaining slave women who had stayed faithful are spared and continue to serve in the palace.
The relatives of the slain suitors gather and attack to take revenge. A battle breaks out, in which the father of Antinous, Eupeithes, is killed. The goddess Athena (in the form of Mentor) and Zeus intervene. Athena stops the fighting and imposes peace among the people of Ithaca, so that the cycle of bloodshed will not continue.
The Odyssey ends with the definitive restoration of order, family, and peace on Ithaca.
This is a just ending according to the ways, customs, and justice of the Greeks of that era. There is nothing misogynistic about it. Anyone who reaches such anachronistic conclusions is ignorant, unhistorical, uneducated, and stupid.
Christopher Nolan is an insignificant man, weak and unworthy of interpreting Homer’s Odyssey. That is the reason he will be forgotten. The film may make millions and billions; it interests no one except the fools.
What matters most is that the true face of this ideology is revealed. An ideology that acts like a cancer in our societies and rots the souls of the younger generations. An ideology that knows only how to poison people’s thinking and future, turning them into slaves of their own selves. A decline that will be written on the blackest pages of history.
HP
Emily Wilson, whose translation of The Odyssey is itself unfaithful, critiques Christopher Nolan’s adaptation for emphasizing Odysseus’ “shame” over heroic “glory,” calling it a modern psychiatric revision of the character.
Follow: @AFpost
@BrenoHenri0397@WagnerThomazoni olha a cara desse frango, o cara não sabe que sequer a mitologia homérica é conservadora, quem dirá o filme do Nolan. juvenil, vai frescar pra lá