@uw_cms "To be associated with this eloquent, insightful and genuinely charming film historian is 'the stuff that dreams are made of!' Robert Osborne changed the way we see moving images, the way we see the world. I could not imagine a better gift,�� Jennifer Bean said.
We are working on a remembrance, but we cannot overstate the influence of #FredricJameson on Duke University Press. We have made his articles in our journals freely available through October 31. "Postmodernism" is our all-time bestselling book.
https://t.co/GW3u0d70VR
🚨 Deadline Extended 🚨
Call For Papers: The Velvet Light Trap 96: "Continuity and Change in Media Representation" 📽️🪞💻
See CFP below for more details. Now accepting open call submissions as well!
Submissions due October 18th, 2024
https://t.co/SYtJHaAZEl
Incredibly proud that Masha Salazkina's World Socialist Cinema book is named The Chronicle's Best Scholarly Books of 2023. The book is open access (link below). Solidarities of the kind Masha tracks all the more necessary now. Congratulations Masha!!!
https://t.co/jFJvSM6Qzj
The marvelous grads of #uw_cms have organized this conference, Mediating Experiences/Experiencing Mediation, happening Sat May 4 on the Seattle campus. Come join us!
I have long admired @FemMediaHist a truly incredible journal of decolonial/antiracist explorations of media history - it is a great honor (and one of my proudest career achievements to date) to have had this piece included in FMH 9.4. Please consider taking a look!
Happy New Year! We are pleased to announce that our brand new Winter 2024 issue on Media Identitopias is now live! Read guest editors Rebecca Wanzo @rawreader and Reem Hilu’s introduction “The Long History of Social Media” for #free here: https://t.co/Sg22u4PZqG
@ucpress
In our 9.4 issue, Sarah Choi talks with Sasha Su-Ling Welland (UW GWSS) and Sabrina Craig (@SSideHomeMovies) about cross-generational storytelling as a feminist practice.
Read the interview for #free here:
https://t.co/JQjQs5f4Wy
@ucpress
Barbara Zecchi’s video essay in our 9.4 issue delves into the systematic erasure and archival dispossession of Helena Cortesina and her lost film Flor de España (1922), which was falsely attributed to a male director.
Read it for #free here:
https://t.co/8TlAXcMgFl
@ucpress
In our latest Fall issue, @Terri_Francis talks about her video essay Joséphine Baker Watches Herself, in which she reframes Baker as a thinking spectator of her own work.
Read it for #free here: https://t.co/to5NzWZhJb
@ucpress
In our 9.4 issue, Catherine Grant @CageyRant talks about her 2019 work Falling: 3 x Girls in Uniform, a videographic study of three film adaptations of Das Mädchen Manuela, and its “curatorial logic.”
Read it for #free here: https://t.co/S3vQfHgXgK
@ucpress
📢Current grad students: Don't forget to submit your essay to the SCMS Gender and Feminisms Caucus Graduate Student Writing Prize! Essays are due Nov 1, 2023.
More information: https://t.co/46Vzka4XZU
@ucpress
Also check out four outstanding video essays by Barbara Zecchi @gynocine, Celia Sainz, @Terri_Francis, and Catherine Grant @CageyRant in the Fall issue. They are #FREE to watch/read for a limited time!
https://t.co/QAAGCdFN7w
@ucpress
🏆REMINDER: Submissions for the SCMS Gender and Feminisms Caucus Graduate Student Writing Prize are due Nov 1, 2023. The winning essay will be published (subject to revision) in FMH.
For more information: https://t.co/46Vzka4XZU
@ucpress