Jeremy Haccoun

Writer-Director. Tribeca alum. Ads w/ DiCaprio, John Cena. Clients/Fests: Disney, Paramount, Xbox, Big Break, ScreenCraft. Shopping 6 Film & TV projects.

[Jeremy Haccoun @JeremyHaccoun]

I storyboard all my films.

But it’s always the same pain: traveling with sheets of blank frames, scissors and tape to re-order, renumbering shots by hand, scanning or snapping pics to share with production.

Turns out many directors I talk to have been struggling with the same thing.

I looked everywhere for an iPad app that solved it. Couldn’t find one.

That's how ShotGlide was born.

Sketch with Apple Pencil, reorder instantly with auto-renumbering, multi-frame shots, insert anywhere, organize by scene, infinite frames, scene overview, PDF export.

You can board entire features and TV shows, switch between scenes, and explore alternate cuts. Full Apple Pencil support with pressure and tilt.

If you also tell stories in frames, this is for you 👇

[Jeremy Haccoun @JeremyHaccoun]

@GoogleAIStudio An iPad storyboarding app for film directors

[Jeremy Haccoun @JeremyHaccoun]

New version now live on the App Store:
https://t.co/uggApp1YSy

[Jeremy Haccoun @JeremyHaccoun]

Before:
Storyboarding on paper.
Tape, scissors, endless renumbering.

After:
ShotGlide for iPad.

Draw shots freely. Reorder instantly.
Organize scenes. Try alternate cuts.
Export PDFs.

Built for directors. Live on the App Store 👇

[Jeremy Haccoun @JeremyHaccoun]

ShotGlide 1.5 is now live on the App Store.

Big update for iPad storyboarding: image import, script view, shot notes, Focus Mode, fullscreen playback.

https://t.co/uggApp1YSy

[Jeremy Haccoun @JeremyHaccoun]

I storyboard all my films.

But it’s always the same pain: traveling with sheets of blank frames, scissors and tape to re-order, renumbering shots by hand, scanning or snapping pics to share with production.

Turns out many directors I talk to have been struggling with the same thing.

I looked everywhere for an iPad app that solved it. Couldn’t find one.

That's how ShotGlide was born.

Sketch with Apple Pencil, reorder shots with auto-renumbering, organize by scene, try alternate cuts, board entire films or TV episodes, load your screenplay to assign passages, and export a production-ready PDF for the crew.

If you also tell stories in frames, this is for you 👇

[Jeremy Haccoun @JeremyHaccoun]

@andymac3d I'm also following this closely. I think the breakthrough will be the ability to prompt in layers. Once we can keep what we like in a shot and re-generate only the camera move, the acting, the set or a prop, then we get close to live-action level control.

[Jeremy Haccoun @JeremyHaccoun]

Just discovered this on Netflix. Can’t believe I missed it in theaters. Highly recommended. Excellent acting, superb minimalist direction. Worth it for the kitchen scene alone, which is pure dread.

[Jeremy Haccoun @JeremyHaccoun]

Sound familiar?
https://t.co/jGm0XChJWf

[Jeremy Haccoun @JeremyHaccoun]

https://t.co/QMwnPjaV9t

[Jeremy Haccoun @JeremyHaccoun]

https://t.co/QMwnPjaV9t

[Jeremy Haccoun @JeremyHaccoun]

ShotGlide is now live on the App Store
https://t.co/uggApp1YSy

[Jeremy Haccoun @JeremyHaccoun]

I did not one-shot this app in a weekend.

After talking to many directors who storyboard their films, I realized we were all dealing with the same pain: sheets of blank frames, scissors and tape to reorder, renumbering everything by hand, then scanning to share.

I looked for an iPad app that handled that workflow. Couldn’t find one. So I built one.

Built with @Lovable, @cursor_ai and @AnthropicAI.

Started with Claude Sonnet 4.5, when a React + native PencilKit bridge was still a real challenge. Then Opus arrived, and suddenly the hardest parts became possible.

ShotGlide is now live on the App Store. If you also tell stories in frames, this is for you.

[Jeremy Haccoun @JeremyHaccoun]

I storyboard all my films.

But it’s always the same pain: traveling with sheets of blank frames, scissors and tape to re-order, renumbering shots by hand, scanning or snapping pics to share with production.

Turns out many directors I talk to have been struggling with the same thing.

I looked everywhere for an iPad app that solved it. Couldn’t find one.

That's how ShotGlide was born.

Sketch with Apple Pencil, reorder instantly with auto-renumbering, multi-frame shots, insert anywhere, organize by scene, infinite frames, scene overview, PDF export.

You can board entire features and TV shows, switch between scenes, and explore alternate cuts. Full Apple Pencil support with pressure and tilt.

If you also tell stories in frames, this is for you 👇

[Jeremy Haccoun @JeremyHaccoun]

ShotGlide is now live on the App Store
https://t.co/uggApp1YSy

[Jeremy Haccoun @JeremyHaccoun]

I storyboard all my films.

But it’s always the same pain: traveling with sheets of blank frames, scissors and tape to re-order, renumbering shots by hand, scanning or snapping pics to share with production.

Turns out many directors I talk to have been struggling with the same thing.

I looked everywhere for an iPad app that solved it. Couldn’t find one.

That's how ShotGlide was born.

Sketch with Apple Pencil, reorder instantly with auto-renumbering, multi-frame shots, insert anywhere, organize by scene, infinite frames, scene overview, PDF export.

You can board entire features and TV shows, switch between scenes, and explore alternate cuts. Full Apple Pencil support with pressure and tilt.

If you also tell stories in frames, this is for you 👇

[Jeremy Haccoun @JeremyHaccoun]

One screenwriting principle I swear by. https://t.co/qnpKtrBXlv

[Jeremy Haccoun @JeremyHaccoun]

https://t.co/89c91xQaed

[Jeremy Haccoun @JeremyHaccoun]

https://t.co/89c91xQaed

[Jeremy Haccoun @JeremyHaccoun]

@bilawalsidhu Amazing. Imagine when this tech is built straight into AI video and lets you set the exact camera path through your scene for the entire shot.

[Jeremy Haccoun @JeremyHaccoun]

First Seedance 2 test.

When I think about how many days I used to spend comping fire in After Effects… this is pretty wild.

Prompt: Wide shot, two cars collide at a downtown road junction in a major US city, causing a massive explosion.

[Jeremy Haccoun @JeremyHaccoun]

@jonnyrmcfarlane Great clip. Funny to hear Duvall slam that! Fincher or Kubrick are so good at creating choreography with dozens of takes, Scorsese is brilliant at catching spontaneity. No single right way. I’ve watched Goodfellas and Eyes Wide Shut a million times and they still feel like magic.

[Jeremy Haccoun @JeremyHaccoun]

@bearmccreary @tvaziri I’m also puzzled by this. Production constraints don't help, but it also feels like directors ask for it less. To me, thematic scoring remains the most powerful way to land every story beat. Can’t imagine using anything but good old film scoring and leitmotifs in my movies.