João Fonseca chorando muito.
Como nunca vi na vida dele, nem ganhando US Open juvenil, nem no nextgen, ou atp500, ou davis cup juvenil, nem em seu 1º título ATP em Buenos Aires enfileirando os melhores argentinos
É a pressão de um público ressentido...
.@delpotrojuan como comentarista fue un gran acierto. No abusó de la autoreferencia, explicó cuestiones técnicas, tácticas y pudo transmitir lo que siente un tenista en cada momento del partido.
Que sean muchos años más.
I don't usually celebrate album anniversaries. I have a hard time perceiving the past. I like now, and what's to come. But this album, that turns 20 today, changed my life. I'd had success already, but everything clicked into place on this album. I met some of the greatest musicians and engineers in the world and learned so much about making records from them. When I think back on what made the album so special, some thoughts come to mind, and they're worth my remembering: Life came into the room. I rode bikes on the beach. I was goofy - most of the images from these years are of me doing something wacky. The record took time. Months of writing, giving up on lots of songs, writing new ones, moving studios, taking breaks. As I get older l tend to expect results faster. I get frustrated a little easier. But it's always been the same; you work weeks and months on songs. Some don't make it, but it's never a waste of time. You live more life, you write more songs, and the process starts again. You cherish the tight little list of tunes that matter. When just one joins the ranks, it's a blessing. Joy wins out over discouragement. You have fun with your friends, who are all on the journey of exploring the unknown with you. Great albums are built in layers. You have to become different versions of yourself to create a lasting body of work. Nobody cares how long it takes if the music is meaningful. If you want to make something truly special, you have to bring talented people in the room to contribute. Steve and Pino. Chad Franscoviak and Joe Furla engineering along with Don Smith and Dave O'Brien. Martin Pradler editing vocals. René Martinez handing me the guitar. Ricky Peterson on keys, @jamesbvalentine played some guitar on Stop This Train. Larry Goldings played B3 and @aliciakeys sang backgrounds on Gravity. Roy Hargrove played trumpet.
Charlie Hunter played on In Repair. @BenHarper played slide guitar on Belief. Willie Weeks played bass with Pino on I Don't Trust Myself With Loving You. The right music with the right people at the right time in my life. That's all you can ever hope for. And thank YOU, dear reader, for giving life to these songs. Onward...
Si Alexander Zverev llega a la final del US Open empatará a 7950 puntos con Sinner en el N1 del año.
Si gana el torneo se pondrá con 8650, llegando a octubre con las mayores opciones de terminar la temporada como el número 1 del mundo.
Teniendo en cuenta que Alcaraz está bastante lejos y que no sabemos si Sinner va a volver al 100% después de su lesión... Sascha tiene buenas opciones de ponerse por primera vez N1.
Quedan dos M1000, algún 500 y las ATP Finals. Si sale victorioso del US Open podrá creérselo, desde luego.
Esta es ya una de las imágenes del US Open.
Michelsen, roto en lágrimas, se abraza a Tiafoe tras remontarle un 0-2 que le impide pisar sus primeras semifinales de Grand Slam.
Deporte en su máxima expresión ❤️🩹
The Ballot for Wimbledon 2027 is now open - join us for a once-in-a-generation event as we celebrate the 150th year of The Championships.
🔗 https://t.co/WkZekn8xO3
Rafa Jodar’s reaction after saving 2 match points and coming back from 1-5 in the 3rd set to beat Shapovalov.
Absolutely insane comeback.
Some drama towards the end… They had some words at the net…
Scenes in Cincinnati.