Missed having a matrix mixer so had a nice meditative afternoon putting this one together. Perfect for feedback mixing with a little gain on hand #eurorack
30years ago (!) an impressionable 15yr old me headed down to the NME stage to see what Orbital were all about, completely unaware that i was about to witness a seminal moment in the history of electronic music. Good times #glastonbury2024
@quinjitsu@GameAudioSympos Thanks for an amazing talk. The field recording section was brilliant but i still can’t believe you used a d100 in a drop rig! Clearly worth the risk 🙂
That's all the speakers - full programme👇
Thanks to our speakers - we're really looking forward to all of your talks. Should be a great couple of days.
Also a big thanks to our sponsors for chipping in with financial support & prizes for our giveaways!
#GameAudioSymposium
We're back baby!
Last year went so well, we're going for 2 days this year - 7th & 8th June.
Tickets are as cheap as we can make them £22 per day, or £40 for both days.
There will be an access fund again.
Full schedule to be relased soon...
https://t.co/eqYCsFfdZb
#gameaudio
@telefontelaviv@kilohearts Phaseplant isn’t inherently weird but defo can be in the right hands. Its semi modular aproach means you can do some v cool stuff. But for software wierd i’d be inclined to reach for vcvrack or max (but you know that!). I mean, how wierd do you want to go? Argeiphontes Lyre?
@KissaKolme I’d love to see this. Shorter chunks sound more manageable, and you might feel like adding more detail when focussing in a bit :) really appreciate you bothering to share this stuff!
Late to the party but as a veteran of the point & click, i have to massively big up #hobsbarrow from @wadjeteyegames. The art style, sound & stunning plot make for a really eery experience. And we need more yorkshire accents in games please! https://t.co/W2NKVAmPxr