Es enserio @ClaroColombia cuál es la hp llamadera: ya les dije que no me interesan sus servicios @sicsuper tiene que haber una manera de protegerse como usuario de este nivel de acoso
Megadeth - ‘Lucretia’… that groove, the sophistication, the feel. Yet somehow it’s still heavy. I love both but for me it’s one of the key differences between Megadeth and Metallica.
If you could only name one track to highlight the the class of Mustaine’s Megadeth, which one?
Dave Mustaine says that in 2004 he offered David Ellefson, the bassist he started Megadeth with in 1983, $2,500 a week on tour to come back, plus 20% of one album's royalties and no publishing. Ellefson sued him for $18.5 million instead.
In February, 43 years in, Megadeth's final album became its first No. 1 in America. Mustaine is taking it on a farewell tour without him.
In the video below, Ellefson calls it "the final farewell of something I started" and says a founding member "should be entitled to a piece of everything."
They ran the band for 19 years, until Mustaine hurt a nerve in his arm and broke it up in 2002. Two years later, Ellefson says, came "a new band and new financial terms, and I'm not part of it."
The case for Mustaine: he wrote most of the songs, a judge threw out the $18.5 million claim in 2005, and he still took Ellefson back in 2010. Ellefson says it in the clip: "He was generous to me."
He doesn't mention how that second run ended. Megadeth dropped him in 2021 after a private video of him leaked online, and last December Mustaine said one former member's "behavior" keeps the old line-up off the farewell shows.
The judge's reason was a deal Ellefson had agreed to after the 2002 breakup. When a partnership splits, read what you give away before you sign.
So did Mustaine protect the band he built from a partner who sued him, or shut out his co-founder just as it finally reached No. 1?
I post one famous deal like this every day, with who got paid, who got played, and the numbers that never made the poster.
The dramatic intro in Slayer's “Seasons in the Abyss” is thanks to Dave Lombardo. He builds tension expertly. Instead of simply keeping the beat, it’s his fills—similar to Bill Ward’s work on “War Pigs”—that gradually lead us to a certain point, at which he starts to groove.
En 1983, Michael Jackson ordenó destruir los negativos de "Thriller" cuando el videoclip ya estaba terminado.
Era testigo de Jehová.
Según su abogado, su congregación consideraba que el video promovía la demonología y le advirtió que podía ser expulsado si lo estrenaba.
Michael se tomaba muy en serio su religión. Incluso salía a predicar disfrazado para evitar que lo reconocieran.
La advertencia lo angustió tanto que llamó a su abogado, John Branca, y le ordenó destruir los negativos.
Después de meses de trabajo y una inversión de cientos de miles de dólares, estaba dispuesto a renunciar al proyecto.
Pero Branca y el equipo evitaron que las cintas fueran destruidas y las guardaron bajo llave.
Entonces, Branca tuvo una idea: le contó que Bela Lugosi, el famoso intérprete de Drácula, era profundamente religioso y que sus películas incluían advertencias aclarando que no promovían el ocultismo.
Había un detalle: Branca se lo había inventado.
Michael creyó en aquella explicación y aceptó incluir al comienzo del videoclip una advertencia:
"Debido a mis firmes convicciones personales, deseo recalcar que esta película de ningún modo apoya la creencia en el ocultismo".
La solución funcionó.
"Thriller" se presentó en Los Ángeles en noviembre de 1983 y llegó a MTV el 2 de diciembre.
El videoclip que Michael Jackson estuvo a punto de destruir terminó convirtiéndose en uno de los más influyentes de la historia de la música.
Y aquella advertencia que todavía aparece al comienzo es el recuerdo de una decisión que casi impidió su estreno.
We'll probably never see anything quite like this again in our history…
The best music video ever made, ahead of its time. If you have a few minutes, check it out. You won't regret it.
Michael Jackson - Thriller (1983)
Los Simpson | Springfield ha sido destruido y parece que Homero es el único con vida, pero no sabe que algunos se han convertido en mutantes. 🧟♂️🧟 #LosSimpsonXEl7
Steve Vai vs Ralph Macchio Epic Guitar Battle
知る人ぞ知るカルト的人気を誇るB級?映画『Crossroads』(1986年)でのクライマックスシーン。
主人公ユージーンと悪魔側のギタリストであるジャック・バトラー(Steve Vai)が「魂をかけた決闘」をギターで行った名(迷)場面『Epic Guitar Battle』。😂
この運命を左右する試練として置かれているので、演出がかなり大げさでしかもB級感が漂っていてなかなか面白い🤣
スティーヴヴァイの超絶テクを観たい人もぜひ。
“Disposable Heroes” is one of the longest, most aggressive songs Metallica ever wrote, an eight-minute anti-war assault.
This is Germany, 1985, the night they debuted it live, months before Master of Puppets even came out. And it’s one of only three times Cliff Burton ever played it. He’d be gone a year later.
Jason Becker was one of the most gifted guitarists of his generation. At 20 he joined David Lee Roth’s band, then ALS struck, and doctors gave him five years.
More than 35 years later, he’s still here, composing with his eyes.
In 2024, Nita Strauss gathered 20+ guitar heroes for a benefit track built on one of his old demos, with his own solo left in. All for the Jason Becker Special Needs Trust.