Yeah, so if the protagonist had kicked Lily all the way back to the academy like a soccer ball, *that* would count as a good story to you, right? You don’t care about the pianist who was executed just for wanting to play music with his fellow countrymen. You don’t care about the ten-year-old kid who got blown up while following a train, desperately searching for his mother. You don’t care that Lily was sent to the front lines to die so that wounded soldiers could survive. All you care about is that the protagonist held her hand in the last ten minutes to try and save her. Because none of the rest counts as “plot” to you—you only care about the parts you want to see.
Wuthering Waves | Resonator Showcase | Lily — FORGET FEAR
"At least this way… I can save one life."
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