Featured in the @guardian: "@hankwthomas: ‘The slave era is not something that is in the past.’" The artist discusses his exhibition which mixes American flags with prison uniforms to examine whether the land of the free is really free for all https://t.co/KoLgcQFTUq
This Friday 11/12 at 5pm, @hankwthomas will be in conversation with Wendy Staggs, Norma Cumpian and Misty Napolitano, members of the #WomenBeyondBarsInitiative, UCLA Prison Education Program director @bryonnbain, and UCLA Education Program faculty-in-residency #ClaudiaPeña
Beginning in the mid-1960s, Mary Corse's pursuit was to "put light into" her paintings. A logical next step was using light itself, and in 1968 Mary Corse conceived a group of small “Untitled (Electric Light)”… https://t.co/voQE4qv6a2
Around 1976, Mary Corse built a kiln on her Topanga Canyon property. Corse first attempted to collaborate with a variety of ceramists on the building process, but all of them told her that fabricating a kiln large… https://t.co/WBzoiTB1ob
Mary Corse’s nearly six-decade long practice has been devoted to the perceptual qualities of light and the dynamic physical and visual interplay between the viewer and the painting. Perhaps her best known and longest… https://t.co/ETyEW1RmPz
This week's artist in focus will be Mary Corse. Born in Berkeley, CA in 1945, Corse has lived in Topanga since the 70s.
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In 2018, Corse's work was recognized for its innovation with a long-term installation at Dia… https://t.co/OYWTQnwvzr
For #featuresfriday we are excited to share an essay by Negar Azimi from “Huguette Caland: Everything Takes the Shape of a Person, 1970-78,” the first major monograph on the work of Huguette Caland, published by… https://t.co/PvfRHFaLWA
When Hugette Caland relocated from Paris to Venice, California in 1987, she became a member of the vibrant art community working there. Amongst the artists and thinkers she became friends with was Ed Moses, a… https://t.co/dQPSO5ugTA
Studio visit with Huguette Caland now up on our Features page! The video by Julienne Hsu focuses on how Caland approached her practice and how appreciating life was important to her daily routine. Link in bio to… https://t.co/aDxaT5Wgy6
On Huguette Caland’s “Silent Letters” series:
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With unlimited patience, elegance and lightness the “Silent Letters” series of Huguette Caland invites us into her daydreaming. Every line, thin or thicker, short or… https://t.co/IUaNnwZXa0
This week we will be focusing on Huguette Caland. Born in Lebanon in 1931, Caland lived in Beirut, Paris and New York before settling in Los Angeles in 1973. Her home and studio in Venice became a meeting place for… https://t.co/QjVwbY5wmS
In the Fall of 2018, Sarah Crowner collaborated with jessicalangchoreographer on “Garden Blue,” a piece created for the American Ballet Theatre @ABTBallet as part of the Women’s Movement initiative that works to… https://t.co/LtZcZpSd4a
For today’s #inthearchive, we are looking back at our 2019 project with Sarah Crowner, “Three Concrete Sculptures.”
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The project, developed out of smaller-scale versions Crowner had presented in Mexico City in… https://t.co/YPQF1Yd4EG
Last day of https://t.co/k8xm7ZxDTH ! ✨Link in bio to view Anthony Hernandez’s portfolio of 10 prints from his larger “Everything” series, started in 2002. The series focuses on the storm drains and basins throughout Los… https://t.co/rqwLGGtXM0