@Mrmclifton Hopefully it will show that you can get somewhere approaching glossy on a C5 budget - as long as you have some control of how the money is being spent and you're willing to do your own shooting, gfx, run two edits, sing the theme tune (if only)
@gill_kirk@rizwanahmed I can’t get past the title and the daftness of love test. Which is a shame as love Riz Ahmed in anything. Do you think I can still appreciate it?!
Announcing a brand-new collaboration with @primevideouk Pathway on our latest #GriersonDocLabInFocus training programme, this time for Archive Producers 📽️
Applications will open on 29 November 📅
Read more ➡️ https://t.co/gujVQXzpme
Hey! I mentor two girls in comedy TV who are both doing great, but I think I have the mental capacity to mentor a couple of others. Do you identify as female, work in TV and want to do more comedy? I’m no oracle but I can be a new friend and supporter. Get in touch.
Some prominent left-wing voices started life in the right-wing press, digging dirt, possibly hacking phones. It doesn’t mean they can’t condemn wrongdoing, but they do need to acknowledge how they climbed the greasy pole rather than hoping no one remembers
Also the shot/reverse shots of expositional dialogue were so unconventional as to massively distract me. Still trying to work out what was underpinning that
Saw Mission Impossible. “Wow - progressive casting, I want to see this” quickly became “why do all the women look and sound the same? Where are the ones I was expecting?” ie Rebecca Ferguson the singer in her acting debut and Hayley Squires, not Hayley Atwell. So naive of me.
@nickw84@Beigemania Although I admire the attitude in some instances! The TV industry fetishises "access" but sometimes there's enough in archive and other material to tell a cracking story and the audience doesn't even care or notice