@niyiakinmolayan There’s a stage played directed by @kennethuphopho starring Omobolanle Stephen Atitebi as Esther. They’ve toured festivals in the UK and US. This is a good place to start😁
We are thrilled to announce our partnership with the Leeds International African Arts Festival (LIAAF)! 🎉 This multi-artform festival celebrates the diversity of African culture and creativity, showcasing contemporary innovators and emerging artists. 🌍✨
Calling All Filmmakers! 🗣️🎬
Submissions for short films are NOW OPEN for the Lagos Fringe Festival 2024! 🎥
We are excited to see your creativity come to life in this year’s theme, “What Future For Creatives: The AI Experience.” This is your chance to explore the intersection ⬇️
Just 4 days left to submit your application for the annual Lagos Fringe Festival! 🌟 Are you a cultural advocate using theatre, music, comedy, or any art form to make an impact? Join us in "What Future For Creatives: The AI Experience" and showcase your talent on a global stage.
Experience the brilliance of award-winning international theatre with “Esther’s Revenge,” brought to you by Pawstudios Africa! 🇳🇬❤ Join us at 7 pm every evening until the 30th of June for a captivating performance written and directed by the talented @kennethuphopho and ⬇️
Catch "Esther's Revenge" at Scarborough Fringe! ✨🎭
Join us every night at 7pm until 30 June for "Esther's Revenge," the award-winning play brought to you by Pawstudios Africa! 🌟
Written and directed by the talented @kennethuphopho and featuring the incredible @bola_stephen⬇️
Ikepo used her platform not just to showcase her talent but to inspire change and advocate for a gender-equal society, making her exhibition both visually stunning and socially impactful. 🌍💪🏾
Your project could be the next highlight at #lagosfringe2024
Experience the powerful creativity from past Lagos Fringe Festivals with a highlight from last year’s impactful exhibition by Ikepo Soyinka, a brilliant 16-year-old visual artist! 🎨✨
Swipe through to see breathtaking works from her solo exhibition, ‘Crows Come At Dawn,’ where