Kenn Cansino

Self-appointed Knight, ADC, Vault Hunter, Executive Mischief Consultant , Khuizan 🐶

[Kenn Cansino @Kennilu]

Enjoy everything, you might not get to experience it twice.

[Kenn Cansino @Kennilu]

Faye gets a gun or we boycott @corybarlog @SonySantaMonica

[Timo @TimoTweetss]

forget that it’s kratos’ wife, imagine not wanting to play as deborah ann woll…

[Kenn Cansino @Kennilu]

@CoreyOCroft She's gonna lose the sleeves for sure

[Kenn Cansino @Kennilu]

Malapit na ko makipagbardagulan talaga sa comsec

[Kenn Cansino @Kennilu]

San na yung mga vlogger na feeling journalists

[Kenn Cansino @Kennilu]

Ang bobobo ng comments what a fokking circus

[Kenn Cansino @Kennilu]

@TK_iKARi bru ss 4, ss 4 is so effective I didn't think to use it much, got tk today lol

[moon⭑.ᐟ @cuteonlyvibes]

7 YEARS OF GOOD LUCK FOR THOSE WHO DON'T IGNORE THE Triplets.

[Kenn Cansino @Kennilu]

@soap_everywhere @GrimKnuckles @TigoODonnell Do you understand what a climax is? Do you understand pacing? and storytelling? and that no single horror game will make you feel tense 100% of the time?

[Anish Moonka @anishmoonka]

Sure, your eyes aren’t tricking you. That clip looks better than the new trailer, and the reason has nothing to do with talent. The VFX supervisor on Amazing Spider-Man 2 in 2014? Jerome Chen. The VFX supervisor on Brand New Day? Also Jerome Chen. Same person. Completely different system around him.

In 2014, Chen had 50 effects artists at Sony Imageworks, the largest VFX crew the studio had ever put on a single project. They handled about 1,000 of the film’s 1,600 VFX shots on a $255 million budget. The crew shot on real film (not digital), on location in actual New York City, scanned Times Square with 36,000 photographs of over 100 billboards, and built physical lighting rigs on set so the CGI would match the real world.

Now look at how Marvel makes Spider-Man movies. No Way Home had 2,500 VFX shots spread across 12 studios and about 3,000 artists. The budget was $200 million, $55 million less than TASM2 despite having 56% more VFX shots. Digital Domain, one of the VFX vendors, was delivering final shots days before the December 17, 2021, release. They kept reworking shots into mid-January, after the movie was already in theaters.

Zoom out, and the math gets worse. Marvel released 6 films between 2008 and 2012. From 2023 to 2025, they pushed out 7 films and 7 TV shows. The Hollywood union representing VFX workers reported that Marvel pays artists about 20% below industry average and staffs one person where other studios hire three. Artists described 64-hour weeks and breakdowns on the job. Then, in February 2025, Technicolor, the parent company of MPC (three-time Oscar winner for Life of Pi, The Jungle Book, and 1917), collapsed almost overnight. 4,500 jobs gone globally. The studio had been actively working on Disney and Paramount films when the lights went out.

Brand New Day has four months before release, and trailers routinely show unfinished shots. But the gap between a 2014 Spider-Man and a 2026 Spider-Man has nothing to do with technology going backwards. The industry has been asked to do three times the work for less money per shot while its biggest studios are going under.

[Kenn Cansino @Kennilu]

Bruh Kratos should be stoic, his pose looks like a soft dad

[God of War @godofwaronprime]

Father and Son. Behold your first look at Kratos and Atreus in the God of War series now in production for @primevideo. Their journey to the highest peak begins.

[Kenn Cansino @Kennilu]

Greatest showman playlist kind of day

[Kenn Cansino @Kennilu]

@kickingcomics d

[Kenn Cansino @Kennilu]

dami nangyayari sa earth