Kinolab

A platform for the analysis of film language, built by the scholars and students that use it.

[Kinolab @KinolabClips]

A shout-out to colleagues and students at the University of Rochester, who just contributed 200+ film and television clips to https://t.co/fkSI7VQiyy. We're thrilled to add these to the collection! #kinolab #digitalhumanities #openacccess #filmanalysis https://t.co/PgCN4jlMee

[Kinolab @KinolabClips]

New clips on Kinolab from Charles Burner’s Killer of Sheep and Cheryl Dunye’s The Watermelon Woman. Stop by and see what else we’ve added recently! #kinolab #digitalhumanities #openaccess #filmanalysis https://t.co/kp7LzsyRHR

[Kinolab @KinolabClips]

Daylight Savings Time is over but hey, more hours in the dark mean better viewing conditions for watching clips on Kinolab! Stop by https://t.co/pF5eH2Ep1b for Moonlight and other recently added films #kinolab #digitalhumanities #openacccess #filmanalysis https://t.co/yDDNnmTRFP

[Kinolab @KinolabClips]

I don't know about you all, but at Kinolab the end of the semester is feeling a lot like the assembly line scene in Modern Times. Good luck to everybody finishing up the craziest academic year ever! #kinolab #digitalhumanities #openacccess #filmanalysis https://t.co/N8Fhhfok5p

[Kinolab @KinolabClips]

We've been quiet on Twitter this year, but we've been curating clips like crazy! Come see some of our new silent-era clips, from Reiniger's Adventures of Prince Achmed to Weber's The Blot and more. #kinolab #digitalhumanities #openacccess #filmanalysis https://t.co/iuSVkmdkur

[Kinolab @KinolabClips]

Make way for Bollywood! New clips and film language tags are coming this semester from @HamiltonCollege, including a few from the classic Muslim social Chaudhvin Ka Chand. #kinolab #digitalhumanities #openaccess #filmanalysis https://t.co/BVUn1HUW5C

[Kinolab @KinolabClips]

Covid lockdowns got you feeling locked in? Visit clips from Julian Schnabel's exploration of cinematographic subjectivity in The Diving Bell and the Butterfly (2007) for an escape. #kinolab #digitalhumanities #openaccess #filmanalysis https://t.co/Q6qy09KHpg

[Kinolab @KinolabClips]

Fresh Kinolab clips are up from BlacKkKlansman. Follow the link to watch Spike Lee’s confrontation with Birth of a Nation and the racist origins of crosscutting. https://t.co/zR0837NLum

[Kinolab @KinolabClips]

Among director Akira Kurosawa's innovations in Rashomon was the proposal that there are as many versions of an event as there are witnesses: the so-called 'Rashomon Effect' (or, as we might say in 2020: 'alternative facts'). https://t.co/mhmfr7q6Dp

[Kinolab @KinolabClips]

@alsatch Thank you!

[Kinolab @KinolabClips]

@bobbymunro Thank you!

[Catherine Grant @filmstudiesff]

Another MUST-FOLLOW: @kinolabclips https://t.co/fhpcPmYycK

[Kinolab @KinolabClips]

@filmstudiesff Thank you!

[Kinolab @KinolabClips]

Today's clip is for all of the faculty out there who are feeling increasingly subservient to their institutions' learning management systems as they move courses online. #kinolab #digitalhumanities #filmanalysis https://t.co/4LQqiHvWlP

[Kinolab @KinolabClips]

Italian cinema has its own unique spin on social alienation, a theme we all can relate to right now. Follow the link to Kinolab to see clips from Il sorpasso (DIno Risi, 1962) a Comedy Italian Style treasure. https://t.co/lW2nCov9AH