A chamber and hall self contained room located at Pokuase - Agya Herbal available for rent going for 1,200 cedis.
NO AGENT!!
Contact: Call or Text 0249707979, for further enquire.
With improved technical coordination on the Culture Stage and tighter stage transitions, Tidal Rave can easily cement itself as one of the most outstanding youth music and culture events on the continent.
Rating
8.5 / 10. Great experience and worth attending again
#Shattawale
Review of 2025 Tidal Rave:
*Review of Tidal Rave 2025; My First Experience*
The Tidal Rave 2025 being my first experience of the much talked, about beach concert was very successful, although it had a few technical challenges. Below is my full review:
In a nutshell, my first Tidal Rave experience was really great.
The music, security, creative direction, and experiential zones made the festival worth the hype.
6. Creative Direction
The creative direction was one of the festival’s strong points.
From the main stage visuals and side screens, to the storytelling throughout the experience, to the sustainability efforts, the event’s creative concept played out very well.
5. Attendance
Attendance during the daytime was not impressive, possibly because many attendees assumed the organizers wouldn’t stick to the program time (“Ghana Man Time” mentality).
Aside from that moment, the execution on the main stage was solid.
Experience Zone
The experiential zones were highly impressive, well curated, interactive and visually appealing.
Main Stage
The main stage was well coordinated overall.
There were a few noticeable errors, especially during Ayra Starr’s set preparation. The stage lights should have been turned off while the setup was ongoing, and Manuel and Vyrusky could have continued performing.
Culture Stage
The idea of a second stage, the Culture Stage was brilliant. It added variety and gave emerging artists and creatives a platform.
However, it faced power challenges, which affected coordination and forced some DJs and MCs to miss their scheduled time slots.
DJ Vyrusky & Kojo Manuel did well and brought nostalgic old-school moments to light. They had noticeably more time than the others, but still delivered.
The remaining DJs and MCs (apologies if names are missing) also held their sessions down excellently.
On the flip side:
My least impressive act was Molly. Despite having good songs, her set felt more like screaming than singing and she struggled to connect with the crowd.
DJs & MCs
DJ Sleek was my personal best, limited time, yet he and his MCs kept the energy extremely high.
Kwesi Amewuga, Gonda Boy, Larrusso, and Lalid demonstrated that Ghanaian music has a bright future. Although they had limited time, they maximized their stage moments.
Shatta Wale, the wildcard of the night, and Kwaku Smoke kept the crowd on their feet throughout, with massive audience engagement.
Black Sherif and Olivetheboy delivered a thrilling back-to-back set that gave the crowd exactly what they came for.
1. Performances
Overall, the performances were energetic and well curated. Highlights included:
Ayra Starr came in strong with a powerful live performance and a solid performance set.
Gyakie’s choreography was perfectly executed and visually captivating.