Kagamine Rin / Len Batik Batch 1 Pre-Order Form is now open , will be closed in 14 June 2026 23:59
#鏡音リン#鏡音レン#Batik#kagaminerin#kagaminelen
Rin Form : https://t.co/fJS2kMqClX
Len Form : https://t.co/kvtN7qQXt3
@HiroPark5552@dirgawangy Walaupun di awal pengiriman sudah mengajukan permohonan PKSI agar produk dimasukan dalam kategori collectable dan bukan toys. cukai 100% bodo amat dan tetap masukkan SEMUA kategori as a toys. A way to resolve issue ini adalah suap... Suap yg tidak main2, dan berakar.
@HiroPark5552@dirgawangy Fyi all collectable yang masuk dan ingin dijual di Indonesia oleh IP owner maupun itu ganchi, standee, etc akan 100% dilabel HS Code 9503 yang dimana setiap produk WAJIB mempunyai SNI.
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏
If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.
Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.
It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.
More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.
Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.
I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.
Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO
CAIR .. CAIIRRR 😜😂
Daftar media-media yg direkrut:
Folkactive, Indozone, Dagelan, Indomusicgram, Infipop, Narasi, Muslimvlog, USS Feed, Bapak-Bapak ID, Menjadi Manusia, GNFI, Creativox, Kok Bisa?, Taubaters, Pandemic Talks, Kawan Hawa, Folix, Ngomongin Uang, Big Alpha, Good States, Hai Dulu, Proud Project, Vebis, Unframe, Kumpul Leaders, CXO Media, Volix Media, How To Do Nothing, Everless Media, Geometry Media, Folks Diary, Dream, Melodi Alam, NKTSHI, Modestalk, Lead Media, Nalar TV, Mahasiswa dan Jakarta, North West, dan mature Indonesia