Explore the relationship between music and visual storytelling, through Scenes From Imaginary Films: PIGGS PEAK.
A fictional crime/drama anchored by South African R&B/Soul, and a captivating narrative arc.
https://t.co/W4yY7kRVrU
i truly believe that crying over a book is one of the strongest indicators of empathy for mankind. you are mourning for a character who does not actually exist, yet you still care for them as though you have known them for your whole life.
A beauty glow up we don’t speak enough about is that one you get from spending a lot of time doing what you love, being in your purpose. Uba mhle overtime.
The inverse is also true. Uba mbi nyani from all the resentment and frustration spent at a job you can’t stand.
THE SIGNAL RETURNS 📺
Introducing Omasah Estate Television, the second phase of our Music Curator Residency. Expect new curators, original story arcs, new discoveries, and more mood-driven playlists inspired by imagined visual media.
Tap into the frequency. Witness the unseen.
Abdullah Ibrahim was a difficult man to interview. He spoke in parable. In metaphor. In metaphysics. You could not pin him down. I later found he was a very difficult. Period. The first time I bumped into him walking anonymously on Plein street circa 2003 he literally growled.
Today, we mourn the loss of Abdullah Ibrahim (1934-2026).
A giant of South African and global jazz, we are honoured that his final public performance took place on the Rosies Stage at CTIJF on 27 March 2026.
Rest in peace, maestro. Your music lives on. 🕊️🎹