LewisAi

一名动画导演正在玩AIGC
湖北美术学院AIGC讲师/WAIGC社区发起人
JIDONG STUDIO 创始人
致力于做中国最棒的AI视频工作室
工作室：

[LewisAi @LewisAi_Lab]

@ring_hyacinth 期待，我的还没开箱

[LewisAi @LewisAi_Lab]

当这个世界越来越智能
人与机器人的界限会在哪里？

[LewisAi @LewisAi_Lab]

《交出你的token！》
每一个AI创作者可能都经历过这些： token不够了、排队等渲染、按秒计费的焦虑。 ���把这种感受拍成了一部谍战片。 被审讯、被逼供、被勒索交出token—— 夸张吗？但那种"被卡住"的窒息感，一点没夸张。 故事的结尾，���力终于回到了创作者手里。 安静的书房，本地运行，不用看任何人的脸色。 这也是我作为一个AI导演想说的话： 创作自由，从算力自由开始。

[LewisAi @LewisAi_Lab]

嘿，这是我想象中的汽车冬季测试场！

[LewisAi @LewisAi_Lab]

一些感悟：
在AIGC经过野蛮生长期后
行业应该逐渐会从乱军混战
单人solo演化成协作分工
并逐渐应该会专门诞生一个新职业
【AI动态特效师】

与图像生成所需对审美的能力不同
他理解各种动画/表演/特效技巧和镜头语言
并能将指定画面按要求进行提示词工程设计

绝不是小白简单学半个月抽卡能做到的

【基础能力方面】
所以有美术功底/审美强的应该只负责画面
而有表演/动画/特效功底的应该负责这部分

【AI驾驭能力】
观察、分析、整合、表达、调优、判断

【综合能力】
“基础能力+AI驾驭能力+持续学习力”
结合在一起，才能跟上未来

讲真，这要求不低，门槛依然很高。
传统分工由于拆分到了足够细，对个人要求是精通很窄一项，并且一项技能能吃十几年饭。但AI来了，直接把这些流程砸烂了，一切重新定义。

跟不上的就真的没戏了🙅

而一个个很棒的提示词就是过去的“模版”
之后好模版能卖钱，而不是会免费分享。
定制化需求成本会很高。

[LewisAi @LewisAi_Lab]

**[STYLE]**
Full live-action cinematic realism throughout. High-contrast chiaroscuro lighting with deep shadow compression and oppressive darkness. Intense camera impact with explosive pacing, but grounded in photographic texture. Real motion blur with subtle film grain. Absolutely no anime aesthetics or animated transitions.

**[CHARACTER]**
Protagonist: @close-up @full-body Real human actor.
Performance quality: Cold, oppressive, dominant presence.
Dialogue: 0–2s delivers "Wanna play?" (deep, icy tone with long reverb tail).

**[PROPS]**
Playing cards: Standard poker deck style with clear red and black suits, scattered abundantly across table surface.
Hard constraints: Card material and print style remain consistent throughout; no additional props appear (except cards and furniture); card face patterns do not randomly change; absolutely no text, symbols, watermarks, or logos anywhere in frame (including areas outside card faces).

**[ENVIRONMENT]**
Dark interior space with table as central scene focus. Overall cyberpunk atmosphere dominated by shadow and cold hard textures—no neon text signage. Key light cuts from upper side angle creating facial shadow split. Background stays dark with minimal volumetric light beams and dust particles to enhance spatial depth.

**[TIMELINE]**

**0:00–0:02**
Camera: Extreme low-angle upward shot with shallow depth of field, slow push-in with handheld breathing micro-movement but overall stable.
Frame: @close-up Character slowly sits sideways at table covered in scattered playing cards, dramatic black light slicing across face, corner of mouth slightly lifting.
Sound: Character speaks "Wanna play?" in deep, cold voice with low-frequency resonance, echo dragging with oppressive weight.

**0:02–0:05**
Camera: Rapid push to close-up and medium shot alternation, maintaining live-action photography texture with real depth-of-field transitions.
Action: Character raises hand and flicks out a single card with swagger. Card spins at high speed straight toward lens.
Key expression: Instant extreme slow motion—card decelerates to near-suspension; card edge halo explodes bright, texture hyper-sharp; red-black face pattern glows against dark background.
Rhythm: Slow motion suddenly snaps back to full speed, card boomerangs back into character's hand like a homing missile.

**0:05–0:09**
Camera: High-speed multi-angle montage (low-angle upward, side cuts, rotating tracking shots), camera executes rapid 360° orbit while ascending.
Action: @full-body Character explosively stands, arms spreading wide.
Frame: All cards on table simultaneously spiral upward and burst into air, forming massive rotating card storm; character stands at storm's eye, head tilted down in dominant gaze, radiating energy suppression.
Sound: Card swarm cutting wind layered into storm roar, electronic score continuously building momentum.

**0:09–0:15**
Camera: Ultra slow motion violently alternating with full speed (maintaining live-action camera logic and consistent exposure), final rapid pull to wide angle.
Action: Character violently swings both hands, dozens of cards shoot in all directions trailing luminous streaks.
Insert close-ups (3 times): Single card spinning → brief suspension → edge electric arc flash → sudden acceleration vanishing.
Final frame: Wide pull reveals character standing in flying card storm, forming epic freeze frame.
Sound: Card whooshes, slow-motion low-frequency stretch, storm roar; final freeze punctuated by deep bass impact hit.

**[GLOBAL PROHIBITIONS]**
No text, symbols, watermarks, or logos anywhere in frame (including backgrounds, UI, or character-like shapes within effects).
Full live-action photographic texture throughout—no anime transitions, no transformations, no character form changes or facial distortion.
No unrelated objects appearing or sudden scene style shifts.
No "non-photographic" exaggerated cartoon lighting effects or material drift; glow and electric arcs must serve card edges and motion logic only.

[LewisAi @LewisAi_Lab]

SEEDANC 2.0 提示词在评论区

[LewisAi @LewisAi_Lab]

非常酷！
给全新路虎概念车 FREELANDER 制作的AI镜头

[LewisAi @LewisAi_Lab]

The Amazing Magician ｜AI
了不起的魔术师～
用多维度控制和精准提示词锁定视觉
确实风格就是想做《了不起的盖茨比》这样的
但非常意外非常意外，没有参考真人但就是出���Nick Carraway😂
另外，对魔术切牌的动作真是响应太棒了！
灵感来自 @0xbisc

[LewisAi @LewisAi_Lab]

尝试下插画风格
这次是设计了一只穿着恐龙套装的卡通小人
在一个趣味游乐园闯关大冒险～
有时候，最有趣的创意往往诞生在最放松的状态下。
没错又是工作间隙随便做了张喜欢的图，然后就生成了。

[LewisAi @LewisAi_Lab]

@dotey 以前设计师也是在等渲染，现在在等生成～

[LewisAi @LewisAi_Lab]

@robinshen84 看下一条

[LewisAi @LewisAi_Lab]

看看Seedance2.0的FPV第一视角的镜头表现！
非常惊艳，感觉能做出一支很有意思的片子。
Check out Seedance 2.0's FPV first-person perspective camera work!
It's absolutely stunning; I feel like it could make a really interesting film.

[LewisAi @LewisAi_Lab]

@shuaichen1987 细节还是有问题的 还需要优化

[LewisAi @LewisAi_Lab]

@rafalors Yes!

[LewisAi @LewisAi_Lab]

@MuhammadTa7408 因为我就在中国～

[LewisAi @LewisAi_Lab]

@lnnerDimensions That's a good name!

[LewisAi @LewisAi_Lab]

@moodii99999 谢谢

[LewisAi @LewisAi_Lab]

@Valar_twitch 哪个国家的电影？

[LewisAi @LewisAi_Lab]

@linxiaobei888 是的 直接去即梦里面

[LewisAi @LewisAi_Lab]

Prompts:

1) Camera and Optics: Dynamic tracking shot, maintaining a 45-degree angle behind and above the subject, at a distance of approximately 0.5–1 meter, closely following the subject. The camera and subject accelerate, turn, and roll in sync, with natural inertial delay and slight shaking. Ultra-wide angle 14–18mm, slight barrel distortion and vignetting. When traversing narrow gaps, the camera is almost flush with the wall, creating extreme spatial compression. 120fps high frame rate, dust and particle trails are clearly visible, with slight deceleration emphasized at critical dangerous moments.
2) Subject: An 8–10 year old boy (shrunk to a miniature size), wearing a dark gray sweater, white shirt, black trousers, black leather shoes, and a red and black striped tie. Slim build, slightly disheveled hair, focused and tense expression. Leaning forward in a riding posture, hands gripping the handlebars, body low, clothes and hair swinging back at high speeds. Realistic reactions to danger: shoulders tightening when encountering a cat, leaning to the side to dodge bullets, exhaling white mist when entering a refrigerator, and looking back with relief after escaping. The broom is a dark brown, coarse-grained European-style magic broom with magical engravings and shimmering patterns at the front. At high speeds, the twigs at the end spread out backward in a streamlined trail, giving it a realistic, worn feel. 3) Motion Dynamics: Miniature scale, high-speed movement with irregular trajectories: 90-degree sharp turns, low-altitude skimming, pull-ups, and rolls occur consecutively. Riding involves natural bouncing and head swaying, with centrifugal tilting during sharp turns and a short forward lean during sudden braking. Each spatial transition is completed through a physical exit (baseboard gap/bottom of door seam), with a sudden change in light upon entering a new space, creating a sense of level refresh. Dangerous objects approach at enormous speeds, and the boy's dodging actions are clearly readable. 4) Environment and Movement (5 consecutive levels): Level 1 — Entrance Clothing Room: Rushing into the cabinet from a floor gap, clothes create a fabric canyon, hangers swing in a chain, metal hooks brush against edges, and the air is filled with floating fluff. → Exit: A gap in the baseboard of the cabinet door, allowing light to penetrate the living room and accelerate outwards. Level 2 — Under the Sofa in the Living Room: Crawling under the sofa, a dusty wasteland and spring-loaded wooden beams form a steel maze. A cat lies in wait ahead, its whiskers twitching like radar. Suddenly, its paw strikes, and the boy scrambles along the floor, narrowly escaping through the spring gaps. → Exit: The shadow of the baseboard on the other side of the sofa; accelerate along the wall towards the hallway. Level 3 — Children's Toy Area in the Room: Squeezing in through the bottom of the door, building blocks form a wall, and toy cars are heavy vehicles. A two-year-old raises a toy gun, and foam projectiles hurtle in slow motion like giant projectiles. The boy dodges rapidly through the gaps between the blocks and the folds of the carpet, one glancing shot causing a brief loss of focus. → Exit: Squeezing back into the hallway through the bottom of the door, heading towards the kitchen. Level 4 — Kitchen Refrigerator: Entering the kitchen through the sliding door, the tiles reflect light, cold and hard, steam filling the air. Mom opens the refrigerator, and cold air and white mist billow out. The boy mistakenly rushes inside; the shelves are like towers, and his breath turns into white mist. The door springs back, narrowing the gap, and at the last moment, it squeezes out from the edge of the rubber seal. → Exit: The boy squeezes into the bathroom through a gap in the kitchen's baseboard. Level 5 — Bathroom: The space is narrower, the tiles are highly reflective, and the water vapor forms a light mist. The father is using the toilet (only his legs, slippers, and the floor are shown, with no private details), when the slippers suddenly fall like meteorites, the vibration of the floor is transmitted to the camera, and the boy runs wildly along the wall, the sole of the slipper sweeping over his head and forming a dark shadow that engulfs him. → Exit: The boy rushes out at full speed through the bottom of the door gap, the light from the corridor pours in, the boy glances back, relieved, and successfully escapes. 5) Lighting and Materials The lighting in each space is clearly layered: the walk-in closet has low illumination and light leaks through the hard edges; the area under the sofa is warm and dark, with the peephole forming a sharp highlight; the children's room has a mixture of warm white daylight and ceiling light; the kitchen refrigerator is cool white, contrasting with the warm yellow of the stove, creating the strongest contrast; the bathroom has a cool ceiling light and tiles with strong reflections, and water vapor creates a highlight halo. Material highlights: woolen school uniform texture, reflective leather shoes, subtle wood grain on brooms, carpet fibers, cat whiskers, foam bullet texture, refrigerator sealing strips, water stains on tiles, and rubber granules on slippers. 6) Sensory and emotional experience: A "fun but truly dangerous" family adventure. Emotions escalate: stealthy exploration in the dressing room → predator pressure under the sofa → high-energy pursuit with a toy gun → claustrophobic respite in the refrigerator → life-or-death situation in the bathroom. The complete escape arc runs through the realistic home layout, blending fairytale absurdity with real danger, keeping the audience on the edge of their seats while simultaneously wanting to laugh. The story concludes with a lingering aftertaste as the boy glances back.

[LewisAi @LewisAi_Lab]

看看Seedance2.0的FPV第一视角的镜头表现！
非常惊艳，感觉能做出一支很有意思的片子。
Check out Seedance 2.0's FPV first-person perspective camera work!
It's absolutely stunning; I feel like it could make a really interesting film.

[LewisAi @LewisAi_Lab]

@Michell81147285 是的