Museums are taking the initiative to examine the back story of objects they’ve had for decades that may have a dark past—and then taking action based on what they find. https://t.co/JPwajMaW2y by @LoosLips via @WSJ
Museums are taking the initiative to examine the back story of objects they’ve had for decades that may have a dark past—and then taking action based on what they find. https://t.co/34rs1GPi0F
Thank you @nytimes for featuring #MagazzinoItalianArt's Co-founders, Nancy Olnick and Giorgio Spanu, and Arte Povera artist @m_pistoletto in the article about artist-patron relationships. Read the complete article here: https://t.co/7NFPtNpH1m
While some art aficionados collect widely, others concentrate, and buy the work of a living artist in-depth. Sometimes, those transactions can lay the groundwork for a friendship between artist and patron. https://t.co/y4BffqEzdX
The Great Hall of the Met can be an intimidating entry point for visitors. The artist Jacolby Satterwhite is having none of that. His new work, “A Metta Prayer,” turns the museum’s solemnity into a funky, queer-infused love poem, set to an acid house beat. https://t.co/CJu2HzLDtc
“I had a gallery in Cologne that was showing a lot of young American artists,” Rudolf Zwirner recalled of the ‘60s, “But no clients.” The dealer decided to make a meeting of the galleries, and the first contemporary art fair was born. The rest is history. https://t.co/atcGC408gm
The ‘Haunting’ of Gary Simmons. In new shows at @mcachicago and @HauserWirth London, the artist uses ghostly erasure lines to look at ideas about race — forcing us to confront the images before they slip away. By @LoosLips https://t.co/bgG0e8wEFg
Our Director, Rapheala Platow, was included in a recent @nytimes article about the rise of female directors in Museums. Take a look!
https://t.co/tITkk5tNzX