Arrangement and the haphazard; authority and the duty to write; deconstruction, fragmentation and collage alongside the apolitical politics of the avant-garde: Issue 9 of Version (9) featuring interview with experimental poet and filmmaker Joshua Martin:
https://t.co/48MVmb7nOw
The transformational quality of text and the discursive space of conversation and critique—Q and A with @itinerant_male surrounding his collection, After Sunstone.
https://t.co/8dd3rY8bL8
Omissions, distortions, censorings—visions of history and the nature of our own times.
Q and A with Kenneth M. Cale surrounding his work, Nostalghia.
https://t.co/VsZJIjs9An
The obtuse and eccentric; the fragmented and juxtaposed—Q and A with experimental poet and avant-garde filmmaker Joshua Martin around his work en=raptur=ed [riverrun] & mingle
https://t.co/o50hmrl6qK
The oversaturation, inherent contradictions, and interrupting nature of contemporary existence—Q and A with Neil Flory surrounding his most recent work, 73000overcaffeinated g/rackleS(
https://t.co/9tyUipTf68
Arrangement and the haphazard; authority and the duty to write; deconstruction, fragmentation and collage alongside the apolitical politics of the avant-garde: Issue 9 of Version (9) featuring interview with experimental poet and filmmaker Joshua Martin:
https://t.co/48MVmb7nOw
The oversaturation, inherent contradictions, and interrupting nature of contemporary existence—Q and A with Neil Flory surrounding his most recent work, 73000overcaffeinated g/rackleS(
https://t.co/9tyUipTf68
"Skittery hen scratchings
along towering, transparent ECG’s --
thousands, thousands -- one behind
another, shimmying, shifting. Electricity’s
tracings scroll; P, Q,
R, S, T waves,
unceasing, swell"
Joel Chace in this our latest:
https://t.co/48MVmb7nOw
“There must be a flow, a rhythm and, just as importantly, a certain amount of fragmentation and disruption”
Issue 9 of Version (9) featuring interview with experimental poet and filmmaker Joshua Martin:
https://t.co/48MVmb7nOw
"For the most part, politics .. lack imagination, therefore I think anathema to the kind of work I’m doing, as well as the concept of deeply complex and fundamentally “experimental” or “exploratory” or “searching” kind of art, which I believe the avant-garde to be."
“There must be a flow, a rhythm and, just as importantly, a certain amount of fragmentation and disruption”
Issue 9 of Version (9) featuring interview with experimental poet and filmmaker Joshua Martin:
https://t.co/48MVmb7nOw
Occultic poetics and the hypermodern condition—my review of @rusdaboss 's latest edition of Kaos Karma (C22 Press). Many thanks to Joshua Martin of the eternalNET poetry community.
https://t.co/M286oRVPoX
https://t.co/znwPu5OqCp
Occultic poetics and the hypermodern condition—my review of @rusdaboss 's latest edition of Kaos Karma (C22 Press). Many thanks to Joshua Martin of the eternalNET poetry community.
https://t.co/M286oRVPoX
https://t.co/znwPu5OqCp
My poetics of disorientation wasn't as half baked as I thought. Things continue returning to it via @silexsc then @lowermelody and back to @MagazineVersion . I should start writing about delay