This place can be quite the hellscape, but isn't the overwhelming love for #Wildwood making it a lovely place to visit this weekend? So many people sharing how much they were blown away by Prue's adventure. #FilmTwitter π€
I was ready to throw myself out of the cab during the first five minutes of Club Kid, and what a mistake that would have been. A really sweet story of owning your identity, that doesn't really do anything new, but feels so real and honest. #LFF2026
I quite liked Klara and the Sun. It isn't going to change the world, but it'll make you feel a little bit better about being in it, largely thanks to Jenna Ortega's delightful performance. It just lacks that something special, and the central relationship doesn't work. #LFF2026
The Prince Charles Cinema Secures its Future
The Prince Charles Cinema is thrilled to announce that we have signed a new 25-year lease with no break clause, ensuring our projectors will keep rolling for years to come.
#YouSavedThePCC
@luiskrlosg Written review embargo. It's quite common to leave them that late nowadays. Even Whalefall, which is terrific and out on the same day, only lifted this afternoon.
#StreetFighter is at its best when it doesn't take itself too seriously. Noah Centineo and Cody Rhodes got the memo, and as such they completely steal the film. Some great needle-drops too. Tbh I didn't really know what was going on though because I was crap at the game.
At this moment in time there are few things better than watching Sandra HΓΌller on the big screen, and Fatherland is no different. PaweΕ Pawlikowski's post-war family drama soars on her quiet magnificence. #LFF2026
Ooof. An important message and a couple of grandstanding courtroom speeches can't save Prima Facie's transfer from stage to screen becoming a dull Sunday night TV drama that feels like a six-week trial to sit through. #LFF2026
I liked a lot of the movements of Tony Gilroy's Behemoth, especially the way in which it edits the orchestral sessions with the on-screen action. Genius. It didn't quite hit the emotional crescendo I hoped it would, but Pascal is great, and the music is incredible. #LFF2026
It was a little too reverential for my liking, which I was quite surprised about from Boyle. Jack O'Connell is the headline act in an excellent ensemble.
Ink - Personally find it very difficult to celebrate anything to do with The Sun newspaper, but Danny Boyle's time-capsule look at the birth of the red-top rag, and It's descent into moral indifference (at best) is really great. Perfect marriage of director and material. #LFF2026