Your kick disappears when bass comes in?
You're fighting physics with plugins.
Fix:
→ Sidechain bass to kick
→ Or HP bass at 80Hz, let kick own subs
Stop fighting. Start carving.
#mixingtips#musicproduction
"You need $21k monitors for pro mixes"
Just mixed an album on $300 headphones.
Client got signed. Label loved it.
Your ears > your gear. Every time.
#mixingtips#homerecording#musicproduction
"How much to sound professional?"
Less than that plugin you're eyeing.
400+ tracks mixed
Bedroom to 200M+ streams
Same process. Same obsession.
Got a song that deserves better?
https://t.co/iubFQHMDOd
#mixingengineer#musicproduction
Client's bedroom demo:
→ Vocals buried
→ Bass = mud
→ No drum punch
2 weeks later → signed to sync library
Same song. Just mixed properly.
Labels passing on your music? Might not be the song.
https://t.co/iubFQHMDOd
#mixing#syncmusic#musicproduction
Vocal trick that saves mixes:
High-pass 80Hz → automate volume word by word.
10 minutes. Vocal sits perfectly. Zero compression needed.
Try it.
#vocalmixing#mixingtips#protools
Your master is quiet because of your MIX, not your limiter.
Commercial mixes are built for loudness:
→ Controlled dynamics
→ No rogue transients
→ Bass/kick not fighting
→ Dense midrange
Limiter = 10%. Mix = 90%.
We fix this → link in bio
#mastering
Harsh vocals? Don't just cut 3kHz.
Dynamic EQ > static EQ:
→ Static cut = dull everywhere
→ Dynamic = only tames harsh peaks
TDR Nova (free), band at 2.5-4kHz, -3 to -6dB on peaks only.
Natural tone, controlled harshness.
#vocalmixing
Your reverb sounds cheap because you use presets on everything.
Different elements, different spaces:
→ Vocals: hall 1.5-2.5s
→ Snare: room 0.5-1s
→ Guitars: spring, short
Always high-pass reverb returns at 200-400Hz.
#mixingtips
5 signs your mix is ready for mastering:
1. Peaks at -6 to -3dBFS
2. No master bus clipping
3. Low end mono <120Hz
4. Checked on 3+ systems
5. 24hr break, still good
Not ready? We'll tell you what to fix → link in bio
#mastering
"Thin vocals" are rarely an EQ problem.
90% come from:
→ Mic too far
→ Wrong polar pattern
→ Room reflections
No plugin fixes bad capture.
We salvage these daily → link in bio
#mixingtips#vocalproduction
400+ mixes taught us:
→ 80% underestimate vocals
→ 70% over-process stems
→ 60% no clear references
→ 50% wait too long to release
→ 100% sound better with pro mixing
Not bias. Math.
See our work → link in bio
#mixing
Every plugin purchase:
"THIS will be the one"
New compressor → still not right
New EQ → same result
New saturation → maybe warmer?
Plugin #47 won't fix what skill fixes.
Or send to someone with both → link in bio
#musicproduction
You don't need stem mastering.
95% of time stereo master is enough.
Stem mastering is for:
→ Unfixable mix problems
→ Original mixer unavailable
→ Major label budgets
Indie? Stereo master. Save $ for promo.
#mastering
The "louder is better" trap:
Boost bass → better
Boost vocal → better
Boost drums → better
Now clipping and back to square one.
Loudness is relative. Turn DOWN to make things feel UP.
#mixingtips
Overthinking releases:
"Wait for perfect mix?"
"Maybe next month?"
"What if not good enough?"
Meanwhile: worse songs with better sound get playlisted.
Done + professional > perfect + unheard.
Mixing from $150 → link in bio
#indieartist
Labels hear 3 things in 5 seconds:
1. Vocal clarity — every word understood?
2. Low end — tight or mud?
3. Loudness — commercial level?
Fail one = skip.
Talent ≠ presentation.
Pro mixing fixes that → link in bio
#musicindustry
Playlist curators listen on laptop speakers.
Your massive bass? Can't hear it.
Wide synths? Mono.
Quiet intro? Skipped.
Mix must survive worst playback, not best.
We test on 6 systems before delivery → link in bio
#musicproduction