Canadian literary supplement encompassing all genres of writing; visual arts, author interviews, book printing process, literary photography, and spoken word
Each bee must be her own queen,
not live in a colony.
Burrow in the ground along a path
or build the nest in a dead plant stem
or stack of empty flowerpots. https://t.co/mNxrNsIVAz
Sweet sadness of surrender
when I know what you want
and you know what I want
and I’ve decided to give in
before you’re finished arguing.
https://t.co/Omzji68JAx
Elagabalus was well-aware of the rumoured plots to assassinate him. He kept poisons in a vial around his throat along with his jewels and an array of charms and amulets. He joked festively about the silk cords he matched to his dresses... https://t.co/tsaDXuQKdW
the ideological quarrel between the critic and the writer as far as meaning and intentionality go, is legendary –even though both must work together. https://t.co/7M9VDv4DNZ
Safia Fazlul’s second novel, The Red One, focuses on Nisha, a beautiful and desperately unhappy young woman. Married to a rich man, Nisha wants for nothing material, but her life is controlled by her domineering husband, Azar, and the expectations of... https://t.co/IZhhCNjTeF
... Our only wish was to write, to be good writers, to play with aesthetics or just tell a story, and here we were, twenty years old, and summoned to save Africa! (Cazenave and Célérier 2011, 97). https://t.co/IdUZNtv2UX
Such democratic lies are cocooned in the ideological power of imperialising art and in unwitting collusion of the colonial subject or former colonial subject’s artmaking as patronised by cultural imperialisms https://t.co/IdUZNtv2UX
Decolonial Aesthetics and the African Writer:
"Achebe mined his powerlessness and colonial objecthood to become a subject of his own history"
https://t.co/ouIZrGUOak
2. Kigali Morn’
humanity in choreographed droves
arrive from homes in hills and slopes
to thrive in urban landscapes anew
knitting threads of steely insistence
https://t.co/MmFsU3Sfz4
A little oven-delayed, MTLS issue #27 is finally baked and has popped out with a great aroma. Poetry, fiction and more. Editorial on the relationship between African literature and ideology. See https://t.co/UmlOVASGkV
In This Issue
•Tade Aina
•George Elliott Clarke
1890 – Texas
His past was now catching up with him and threatening the one person he cared most about. This couldn’t be happening. He knew what he would have to do to keep her safe, and that would be the most painful thing ever: leaving. https://t.co/xYis5b7cP5
Poetry Review
Canticles II (MMXIX)
by George Elliott Clarke
Guernica Editions,
2019.
In a 2022 text, George Elliott Clarke calls his Canticles series “an expected six-volume epic…that begins with the survey of two millennia of oppressive history”.
https://t.co/lIBv0OlCcw
@ddialogues H.W.: It very deeply influenced it – both Toronto, as well as my time working in New York City and Los Angeles as a film producer. Although there is little actual violence in the novel, a Hitchcockian sense of threat looms large. https://t.co/cgvefwDzyu
The cultural critiques dip into various topics, such as the mess of American politics (Trump), the horror of the African slave trade and its effects, the Arab Spring, and Nelson Mandela. In “Charlie Hebdo’s Ghost,” Ede argues for a different use of...
https://t.co/i2xnwpTD2g