It's live! My Western fantasy novella 20 Paces: The Four Revenants is available in print & ebook formats on #Amazon! See what happens in a duel of guns and minds when psychics meet in the Old West! #amwriting#fantasy https://t.co/AHrjbVGovx
One series that impacted my childhood! #dexterslab#cartoonnetwork
Genndy Tartakovsky Looks Back at the Magic of ‘Dexter’s Lab’ and the Cartoon Boom of the ’90s (EXCLUSIVE) https://t.co/71XATLbNvB via @Animation Magazine
A Happy #AprilFools Day from the two most colorful cartoonish cohorts of the #leagueof40! Both of these girls are a little mad & very charming in their own way, but they are no one's fools.
This not the viewers fault. Never was, never is. In Final Space’s case it was caught in the gears of two mergers with a network struggling to get out of debt. Really all of this tax write off stuff is kind of Netflix’s fault but not on purpose. Netflix began spending so much money trying to attract talent that every other networks felt like that had to spend that much to stay competitive. When Netflix lost subscribers the house of cards fell. That model didn’t work. So they began to look for cost savings and animation was the first thing to go. Really, the metrics for a “hit” show are so bonkers today now that most shows only get one season now.
Did people watching it illegally hurt the show? Not enough for it to make a difference and in many cases it helped the show find a bigger audience.
As someone who had his show canceled then erased. Never once did I feel like it was the fans fault. In fact because it was my first show I felt like I was the one failing them. And I worked myself into the ground fighting to keep that show alive. I ran the social media account and edited almost every trailer for two seasons/three years, never got one cent for any of it. It was a dream that turned into a nightmare. The sad thing, all the extra work I did, I don’t think the network even cared or noticed. Would I do it again if I had the chance. Hell yeah, I would. I loved that show but also I was making it for the people who looked forwarded to a new episode every week.
I will say this, pirate the crap out of Final Space, share it on Dropbox’s and google drives. A lot of people worked on that and I think more than anything they don’t want it to be forgotten. The fans of my show like most shows are some of the most passionate people I’ve ever seen. It’s back to back for life! 🤜🤛
Since #moongirlanddevildinosaur have introduced both the Beyonder and Molecule Man, I do wonder if @MarvelStudios has any plans to tie either into its Multiverse Saga in the #MCU?
My 1st #childrensbook Wilhemina's Music Factory will be available on Feb. 1! It's a #musical remix of @roald_dahl's Charlie & the Chocolate Factory, established in the upcoming #leagueof40 universe! Ebooks are available for preorder on @amazon!
Want to hear something cool, we actually have two animated mini social videos already animated, they we’re going to be in the episode for Godspeed. We still need to comp them but one is about Ryan and the other is about June. 😉 So a little more Godspeed is closer than you think.
Though it's buried in the co-producer list, I got my first credit on a cartoon! Stoked to see what @OlanRogers does next w/ this! Check out #Godspeed https://t.co/K3Ee1NgKWS
@SerebiiOTD Cool bit of history. B&W were the probably weakest entries in the game series, & definitely in the anime series imo. But we did get cool mons like Volcarona and Hydreigon!
Prettt awesome to see how ppl are blending #animation styles.
Mortal Media Leads Investment Round in Animation House Swaybox https://t.co/hGw2OaV9KZ via @Animation Magazine
@ActualAero Black & White were the worst in both the game and anime series IMO. Great Pokemon additions, but terrible story for the game and characters in the anime.
#BlackMirrorS6 seems to be moving the series away from technological #horror to more supernatural, especially in that final episode. I was kind of confused by the fact there was no commentary on our use of technology in it.