Armys, nos sentimos profundamente consternadas por el trágico accidente ferroviario en Urda (Toledo).
Nuestro más sincero pésame a los familiares y amigos de los fallecidos, así como, deseamos la pronta recuperación de los heridos.
Todo nuestro apoyo a todos los afectados de esta tragedia , así como a las fuerzas de seguridad y emergencias movilizadas que siempre velan por nosotros.
🚨 YA DEJARON SUS VOTOS DIARIOS PARA LOS ARIA AWARDS ??? VOTEMOS POR LOS TANNIES, NO NOS OLVIDEMOS👇🏻‼️
💬 + 🔄 My vote is for #ARIASBTS at the 2026 ARIA Music Awards
LO ENORME QUE ES ESTO, ESTO TIENE QUE SER TENDENCIA EN TODOS LADOS 😭👇
El hecho de que la exhibición de NAMJOON en el SFMOMA haga historia haciendo sold out 66k de boletos rompiendo el récord del mayor volumen de preventa del Museo, superando niveles anteriores hasta en 6 veces, con cientos de personas yendo a su exhibición solo para ver la colección de Namjoon, era la suficiente capacidad para llenar un estadio, un logro que muchos artistas luchan por alcanzar incluso con sus propios conciertos NAMJOON LO HIZO CON SOLO SU EXHIBICIÓN, LO GRANDE QUE ERES, SU IMPACTO ES ENORME 😭🔥
CONGRATULATIONS RM
CONGRATULATIONS NAMJOON
PROUD OF YOU NAMJOON
#RMxSFMOMA #RMArtExhibition
BTS’ “SWIM” ‘7s’
— Their “7th” #1 on the Billboard Hot 100.
— From their “7th” #1 album on the Billboard 200.
— Surpassed 1 BILLION streams on Spotify in exactly “7” months.
— Their “7th” Group song to reach this milestone.
ONLY K-pop soloists to chart every track from their respective solo albums simultaneously on the Spotify Global Chart.
— j-hope
— RM
— Jimin
— SUGA / Agust D
— V
— Jungkook
— Jin
————————No More —————
DAMNN THEY ATE WITH THIS ONE
— “And judging by the number of people already buying tickets, the rest of the industry has some catching up to do.”
“What makes this extraordinary is that BTS are operating at this scale as a Korean-language pop group in an industry that once insisted international artists needed to adapt themselves to Western audiences to achieve comparable success. BTS have demonstrated that audiences are perfectly capable of crossing linguistic and cultural boundaries when the music, performances and personalities offer something they want. The industry’s assumptions changed because the audience changed them first.
There’s also a distinction between becoming famous and sustaining fame. A song can dominate the charts for a few weeks. A viral video can reach hundreds of millions of people. But building a global audience willing to fill stadiums across multiple continents requires something much more durable. BTS have managed to turn the anticipation surrounding their return into real-world demand on a scale that only a small number of touring acts can approach.”
https://t.co/wfnyMX2aa4