Matheus Marchetti

Brazilian filmmaker in New York

[Matheus Marchetti @Mathmarchetti]

São Paulo as a fairy tale forest where hungry beasts prowl the night, preying on innocent young men who dare stray from the path. An urban fable, morbidly funny and wickedly sexy. Here's a teaser for LABIRINTO DOS GAROTOS PERDIDOS (Labyrinth of Lost Boys), our latest experiment

[Matheus Marchetti @Mathmarchetti]

@oliverdoreed61 sim ❤️

[Matheus Marchetti @Mathmarchetti]

me permiti um pouco demais hoje

[݁ @archivesixties]

twiggy attends “The Boy Friend” press conference, 1971 ⋆˚꩜｡

[limp brittzkit @Brittymigs]

my neighborhood bodega seems to have closed permanently overnight and they left their cat behind (not sure if this was intentional). benito is a sweet, cuddly boy who just lost the only home he’s ever known. please share if you can so we can get him adopted🧡he’s at aspca on 92nd

[the life of @caraIeo]

eles no tinydesk

[gui @taleofcinema]

virginie efira em all of a sudden

[Travis Woods @aHeartOfGould]

RIP to one of the greatest.

[josh @y0cuando]

La bola negra

[Matheus Marchetti @Mathmarchetti]

@prtzlogic_ vamos fazer sessão quando eu voltar por favor!!

[Matheus Marchetti @Mathmarchetti]

every day give yourself a present

[Japan Society Film @js_film_nyc]

An ero guro adaptation of macabre master Edogawa Ranpo—whose pen name is a Japanese rendering of “Edgar Allen Poe”—WATCHER IN THE ATTIC focuses on a voyeuristic tenant who bears witness to a series of bizarre events in Taisho-era Japan.

Screening 11/21 on imported 35mm.

[alex lei @alexL_E_I]

*Glenn Close ordering at a family Italian restaurant* la bolognesa

[T*nner @mulhlland_drive]

Why was she in the final scene of Vertigo here

[JONETO @jonetodidthis]

Hey, check this out!

Original artwork I've done for @severinfilms 4K release of WHAT HAVE YOU DONE TO SOLANGE? (1972) — a classic giallo directed by Massimo Dallamano.

[Brian 🍂 @_Sheehogue_]

“In particular, it was the shots of the title monster ‘standing vaguely in the background’ during certain scenes that left a huge impression on the young boy. ‘I don’t know why, but it just scared the hell out of me,’ he says.”

—Kiyoshi Kurosawa on Terence Fisher’s The Gorgon

[Matheus Marchetti @Mathmarchetti]

eu quando estou cruzado a rua Delancey

[Le film est déjà commencé? @takumihurry]

Passing Strangers (1974) dir. Arthur J. Bressan Jr.

[Maul Atreides 🇮🇪 42/50 📚 Breaking Bad rewatch! @theweirdinggay]

It’s too late. Mentally, I’ve already cast you as the hysterical Father Barre and myself as the eternally composed and equanimous Father Grandier.

[Matheus Marchetti @Mathmarchetti]

Tosca pras intensas 🤘