We are happy to announce our gorge cast for A Midsummer Night’s Dream! 💋
Christelle Elwin, Talitha Penny and Matthew Grainger 🌟
Tickets available here: https://t.co/aFgDoIlO9D
putting it here because I've had lots of tricky 2024 no's lately..
- I'm still crossing fingers for my first professional AD job. I'm hardworking & I care!
- I would love to direct something experimenting with form that's planning for fringe/similar.
https://t.co/KIyCeB79Fb❣️
The Paris Review mourns the loss of Louise Glück (1943-2023). In celebration of her life and work, we’ve unlocked her poems from our archive.
https://t.co/J4pscv0vA3
Love And Let Die - 60 years of Bond, the Beatles and their impact on Britain - is finally out today in paperback (UK) and I've got 007 copies to give away. Just RT this to enter! #PaperbackWriter https://t.co/pYzpeLNHUs
“I first wrote this while I sat in bed in the months after, once he wasn’t there anymore and I was upset … It had a part where we were friends, and a part where we dated, and a part where we stopped, and then the attack.”
Devon Geyelin, online today.
https://t.co/tGogVmzdzZ
“I don’t know that the novel was ever declared dead even once before Ulysses was published.”
From Sally Rooney on misreading Ulysses:
https://t.co/8QwthUYHpT
Happy Birthday to our own dear SH, who would have been 84 today.
"I had a vision
Of an airy branch-head rising through damp cloud,
Of turned-up faces where the tree had stood."
(Photo Bobbie Hanvey)
The Spring 2023 issue is out now feat. @Idharker as our cover star! Grab a copy: https://t.co/dk42qBbRq7
You can read a selection of content from the magazine here: https://t.co/1BmLnvRGy1
Enjoy!
Introducing Associate Artist and our resident scribe...
Hazel Low!
@HazelNotSoLow
(Hold tight for images of their handwriting - it's something special)
⭐️⭐️⭐️⭐️⭐️
HOURGLASS is now out in paperback
A universal love story—Guardian
Beautiful, funny, profound—New Statesman
if ever a book could be read as a pilgrimage to discover what the heart finds sacred, this is it—Irish Times
Deeply sad but wickedly fun to read—LA Times