โ ๏ธ Disclaimer!!! โ ๏ธ
https://t.co/lobRckmODa is an independent, non-profit, user-generated digital archive built by collectors to celebrate the living legacy of Dima Kashtalyan. This project is entirely recreational, handles zero financial transactions, and is not officially affiliated with or endorsed by the artist. All rights to the featured artwork belong strictly to Dima Kashtalyan. To support the artist directly and view his official portfolio, shop, and updates, please visit https://t.co/9OUgNq9S3b.
This disclaimer is uploaded to the website as well.
I had a few concerns about building the website initially and some doubts too, especially about Cyber and IP laws so I had to do a lot of research and reading (not my favorite thing to do).
I wanted to do something meaningful while still respecting the artist's work and not infringe on his IP rights. I also didn't want to get slapped with a lawsuit ๐ญ
Please visit our Kashtalyan wall and sign there to help us get to 1,111 signatures.
PS: there was no vibecoding involved in the development of this website, we built the code base from scratch.
When the project team announced an art contest, I wished I could participate. But I can't paint or sketch to save my life. Iโm a tech-inclined girl.
I realized that while my hands can't hold a paintbrush, my code could be a canvas to celebrate his legacy. My little brother and I teamed up and spent the last few days building an interactive, non-profit digital archive to honor his work.
We just launched it at: https://t.co/lobRcknmsI
A living digital archive
According to ๐๐๐ฌ๐๐ซ ๐. ๐๐ซ๐ฎ๐ณ, a filmmaker/Educator; ๐๐ซ๐ญ should comfort the disturbed and disturb the comfortable.
I was ๐ข๐ง๐ฌ๐ฉ๐ข๐ซ๐๐ by Contrast; the idea of taking something often seen as elegant and mysterious, then ๐ซ๐๐ข๐ฆ๐๐ ๐ข๐ง๐ข๐ง๐ ๐ข๐ญ ๐ญ๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐ ๐๐๐ซ๐ค๐๐ซ, ๐ฆ๐ฒ๐ญ๐ก๐ข๐ ๐ฅ๐๐ง๐ฌ.
Been a fan of fantasy stories in films and myth-style illustrations that take nature and twist it into something unexpected, but still full of meaning, ๐ ๐๐ฑ๐ฉ๐ฅ๐จ๐ซ๐๐ ๐ฐ๐ก๐๐ญ ๐ ๐๐๐๐ค ๐๐จ๐ฎ๐ฅ๐ ๐๐๐๐ฅ ๐ฅ๐ข๐ค๐ if it existed between beauty and darkness, silence and presence.
As the contest encourages us to break away from traditional ideas and re-create (reimagine) ๐ญ๐ก๐ ๐๐๐๐ค ๐ข๐ง ๐จ๐ฎ๐ซ ๐จ๐ฐ๐ง ๐ฌ๐ญ๐ฒ๐ฅ๐๐ฌ, I took it so personal because I already know in art and symbolism, Beak stands for instinct, intelligence, freedom, transformation, omen, etc.
So I decided to create a 3D ๐๐๐ข๐ฅ๐๐ ๐๐๐๐ค ๐๐ซ๐ญ
I reimagined the Beak as a ๐๐ซ๐ข๐ฆ ๐๐๐๐ฉ๐๐ซ-๐๐ข๐ค๐ ๐ ๐ข๐ ๐ฎ๐ซ๐ , but not to show fear or horror.
Instead, I wanted it to ๐ซ๐๐ฉ๐ซ๐๐ฌ๐๐ง๐ญ ๐ญ๐ซ๐๐ง๐ฌ๐๐จ๐ซ๐ฆ๐๐ญ๐ข๐จ๐ง, ๐ข๐๐๐ง๐ญ๐ข๐ญ๐ฒ, ๐ฆ๐ฒ๐ฌ๐ญ๐๐ซ๐ฒ, ๐๐ง๐ ๐ฌ๐ข๐ฅ๐๐ง๐ญ ๐ฉ๐ซ๐๐ฌ๐๐ง๐๐.
In my artwork, ๐๐ซ๐ข๐ฆ ๐๐๐๐ฉ๐๐ซ ๐ฌ๐ญ๐๐ง๐๐ฌ ๐๐จ๐ซ the space between endings and beginnings; like a timeless figure carrying memory, hidden truths, and emotional weight.
@thebeaksart@DKashtalyan
Some artworks just make you stop scrolling and yeah, that was me when I found @thebeaksart
Itโs not just because the art looks good, but because you can actually feel the years behind it.
20 years of practice, then stepping into Web3 is not something you see every day, and honestly, thatโs what makes @thebeaksart by @DKashtalyan unique to me.
If you watched DKashtalyan draw live on X two days ago, then you already understand the vibe.
Watching a Beak come to life in real time, tv details, the patience, the creativity, it reminded me that real art will always stand out no matter the space, so I did this art for The Beaks because I genuinely connected with the vision that much.
This is the kind of project that inspires you to create too
Winston Churchill fought his depression with bricks. He'd lay them for hours at his country home in Kent. He joined the bricklayers' union. And in 1921 he wrote about why it worked. It took psychology another 75 years to catch up.
He called his depression the "Black Dog." It followed him for decades. His method for fighting it back was as basic as it sounds: laying brick after brick, hour after hour.
Churchill spelled out his theory in a long essay for The Strand Magazine. People who think for a living, he wrote, can't fix a tired brain just by resting it. They have to use a different part of themselves. The part that moves the eyes and the hands. Woodworking, chemistry, bookbinding, bricklaying, painting. Anything that drags the body into a problem the mind can't solve by itself.
Modern psychology now calls this behavioral activation. It's one of the most-studied depression treatments out there. Depression sets a behavior trap. You feel bad, so you stop doing things, and doing less means less to feel good about. Feeling worse makes you do even less. The loop tightens until you can't breathe inside it.
Behavioral activation breaks the loop from the action side. You schedule the activity first, even when every part of you doesn't want to. Doing it produces small rewards: a wall gets straighter, a painting fills in, a messy room gets clean. Those small rewards slowly rewire the brain. Action comes first, and the feeling follows.
Researchers at the University of Washington put this to the test in 2006. They studied 241 adults with major depression and compared three treatments: behavioral activation, regular talk therapy, and antidepressants. For the people who were most severely depressed, behavioral activation matched the drugs. It beat the talk therapy. A 2014 review of more than 1,500 patients across 26 trials backed up the result.
Physical work like bricklaying does something extra on top of this. It crowds out rumination, the looping bad thoughts that grind people down during the worst stretches of depression. Bricklaying needs both hands and gives feedback brick by brick: each one is straight or crooked. After an hour you can see exactly how much wall you built. No room left for the mental chewing.
The line George Mack used in his post, "depression hates a moving target," is good poetry. The science behind it is sharper. Depression hates a brain that has somewhere else to be.
I put on my fraud detection hat whenever I see a 22 year old Tech bro who supposedly dropped out of college to fund an AI startup. In this case, what I found about this Kled guy is incredibly disturbing.
K5 Global is Kledโs lead investor. K5 Global is a firm that frequently invests alongside the Palantir and Thiel network. Another Kled backer, Aglaรฉ Ventures, owned by Bernard Arnault, has a massive AI portfolio that intersects with the same labs that Palantirโs AIP integrates with.
Basically, Kled is the Data Harvester for Palantir. Their job is to mobilize hundreds of thousands of gig workers, mostly from the Global South, to upload personal photos, videos, and documents. They convert raw human life into a machine readable product. Their clients like Palantir act as the Data Refinery. Palantirโs software, specifically Foundry and AIP, is designed to take that data and make it actionable for governments and corporations to put into global surveillance and military use.
We can safely conclude that this Kled guy and other similar AI startups harvesting user data are human meat shields. They are specifically set up and funded to do the dirty work for Silicon Valley tech empires.
Understand that these Large AI labs are currently being sued by artists, writers, and publishers for stealing data through web scraping. To win these court cases, OpenAI and Palantir need to prove they have clean, consented data. Buying a dataset from Kled, where every user signed a 50 page digital consent form in exchange for $20, gives these billion dollar tech companies a free pass.
Also, imagine if Palantir, a company already criticized for government surveillance and US military war campaigns, offered to pay people in developing countries to film their living rooms and daily activities. It would look like a global surveillance network. By using Kled as a middleman, they get the same data but keep their hands clean in the public eye.
Even though we cannot verify his claim of Nigerians defrauding his company, what we can verify is that he is an industry plant. He is set up to allow AI data labs to continue harvesting user data for global surveillance and military use.
"We create the chaos. Then we move in and capitalise on that chaos...We're looking at the long term here gentlemen. Rates of return that'll make Iraq and Afghanistan look like chickenfeed."
To those who want to remain asleep, may you sleep until you wake no more.
Olodo
In the 1980s, Nigeria was pushed into Structural Adjustment Programs by the IMF/World Bank. SAPs forced government to slash spending on public infrastructure such as power, water, health, education.
Who designed those conditions? Washington consensus institutions with US Treasury fingerprints all over them.
NEPA didnโt fail by accident. It was defunded by policy.
Now zoom out to Nepal.
Nepal sits on some of the most powerful river systems on earth. Hydroelectric potential that could power the entire subcontinent.
Yet they remain one of the poorest countries in Asia,dependent on foreign aid, foreign expertise, foreign approval.
Why? Because energy independence is geopolitical power. And powerful neighbors (with US backing) donโt want a self-sufficient Nepal.
Two countries. Two continents. Zero electricity sovereignty.
The CIA doesnโt need to cut your light. They just need to make sure you never build the switch.
But because you canโt read not think objectively, you make careless tweets without realizing how hopeless you are.
Happy to announce our collab with @tmm_eth
R-rated animated IP evolving into a full-blown interactive Web3 universe with 550,000+ subscribers worldwide.
Supply: 666
Price: FREE
Chain: Ethereum
More info on our discord