Louis

Filmmaker, Geek. TIMELAPSE Out Now...

[Louis @MessiahEnt14]

What would you do? TIMELAPSE, Available now on @PrimeVideo. Link in bio #Whatwouldyoudo #timelapse

[DiscussingFilm @DiscussingFilm]

‘THE ODYSSEY’ is returning to IMAX theaters again on October 9.

[Culture Crave 🍿 @CultureCrave]

Production on ‘The Batman 2’ has been paused

Matt Reeves has stepped away for personal reasons

(via @Deadline)

[Film Updates @FilmUpdates]

Jennifer Lawrence is set to star in Zach Cregger’s sci-fi thriller ‘THE FLOOD’

Cregger wrote the script based on his original idea. The film will release on August 11, 2028.

(https://t.co/Q8MunX3Cwz)

[Variety @Variety]

“Game of Thrones: Aegon’s Conquest,” the first movie set in the fictional world of Westeros, has been scheduled for June 6, 2029.

Owen Harris (“A Knight of the Seven Kingdoms”) will direct the film from a screenplay by Beau Willimon (“Andor,” “Severance”).

https://t.co/d4vQlRkJNn

[Culture Crave 🍿 @CultureCrave]

‘Resident Evil’ opens to $108.3M at the global box office 🧟‍♂️

• Best start ever for the franchise

• Zach Cregger‘s biggest start as a filmmaker

• Production budget was $75M

[Lucas Museum of Narrative Art @lucasmuseum]

A room full of incredible storytellers gathered to celebrate narrative art. The Lucas Museum's opening night was truly unforgettable.

[DiscussingFilm @DiscussingFilm]

A24 had a higher market share than Warner Bros and Paramount during the Summer Movie Season.

(Source: https://t.co/KeZL0Ftm8a)

[abdullah @odynheimer]

NOLAN AND DENIS CONTENT EVERYBODY WAKE UP

[Getty Images Entertainment @GettyVIP]

Christopher Nolan and George Lucas attend the Lucas Museum of Narrative Art Opening Night at Lucas Museum of Narrative Art in Los Angeles, California.

More #GettyVideo 🎥 https://t.co/LcDdNmtWjx

[Deadline @DEADLINE]

George Lucas talks about defying naysayers and thanks his wife at the opening of the Lucas museum of narrative art

[The Hollywood Reporter @THR]

“You get to decide what art is,” George Lucas says at the opening night of the #LucasMuseum

[Matt Reeves @mattreevesLA]

Because the level of precision and control over the image you have shooting digitally is indispensable. You know exactly what you are getting. The film out process and choice of lenses allows you to bring a more organic, analog quality back to what you’ve shot. A beautiful, and carefully developed imperfection.

[cinesthetic. @TheCinesthetic]

THE ODYSSEY (2026) is on the verge of becoming the first film in history to cross $500M globally from IMAX screens alone.

That’s already $210M ahead of AVATAR’s entire IMAX run, which held the record for more than 15 years.

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

I watched “Backrooms” for the second time in the theater. The second time around, my brain was able to keep up with what I was seeing, so I could take my time and really appreciate the film. While it doesn’t have the political overtones of the 1990s, the era after the end of the Cold War is reflected in the film in ways beyond just its hardware and media: the standardized, uniform office spaces, the dead-mall-like commercial facilities, and so on. I also bought the elaborate movie pamphlet. They gave me an A24 plastic bag, too. They also handed out an explanatory booklet at the entrance. Happinet is really doing a great job. The 16-minute “special film” after the end credits was also shown. (That one might be better left to the internet.) Since the film is rated “G” for all ages, there were noticeably quite a few parents with small children. After the screening, I heard a little girl say to her father, “It was scary. I might not be able to sleep tonight.” In another family, a little boy bombarded his father with questions: “The Backrooms are so huge. How did they make them? It has to be CG, right?” When his father didn’t answer, I almost leaned over and said, “It’s all sets,” but stopped myself. When he grows up, he’ll eventually find the truth for himself. It’s important to be inspired, to have “questions” and to sense that something is “strange” or doesn’t quite fit. This is the kind of film that makes you do that.

[Film Updates @FilmUpdates]

Christopher Nolan’s ‘THE ODYSSEY’ has crossed the $1 billion mark at the international box office.

Becoming the first Hollywood film that is neither a sequel nor a remake to reach this milestone since ‘Avatar’ in 2009.

[Variety @Variety]

Victor Miller, 'Friday the 13th' Screenwriter, Dies at 86 https://t.co/7ELJjUoXX3

[DiscussingFilm @DiscussingFilm]

Ridley Scott says that he’s working on an ‘ALIEN: COVENANT’ sequel centred on Michael Fassbender’s David.

The new film will pick up with David creating a “brave new world for himself.”

(Source: https://t.co/p2Vm1vvKPq)

[DiscussingFilm @DiscussingFilm]

‘OBSESSION’ has passed $500M worldwide.

• Biggest original film of the decade

• One of the biggest horror movies of all time

[cinesthetic. @TheCinesthetic]

The obsession with CGI de-aging needs to end. Let actors age. If a story needs a younger version of someone, cast an actor who actually looks the part instead of turning a real human face into a glossy digital mask. Good casting still works.

[Kagan @KaganTech]

Every year Jason Statham puts out a movie where he plays Jason Statham... He seeks vengeance for some ill action that's none of his business and gets it. Every year I watch it knowing exactly what will happen.

Mutiny done and dusted. See you again next year with the exact same storyline 🤣