METAL MAGAZINE

Independent fashion and culture magazine since 2006. Print twice a year, online every weekday.

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Twenty years in, METAL Magazine Nº54 asks who we follow when old altars fall silent and new rituals take over fashion, fandom and pop culture.
https://t.co/FRUxRoLTGH

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An album thirteen years in the making, conceived far from the demand for instant hits. Elninodiablo on creative freedom, leaving Berlin and the places held in his music.
https://t.co/dnmgo9l4Zq

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“As a filmmaker, I have a love-hate relationship with AI.” Jhenyfy Müller on the weeks of experimentation behind “Madame Noir”, her tribute to Diane Pernet.
https://t.co/TUXK1De8rq

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You can miss the past without wanting to live there again. Theo Moss’s “Spinning” sits with the people we remember and the versions of ourselves we outgrow.
https://t.co/aehzONmKR0

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Vulnerability has its own kind of power. On “Swallow!”, Shygirl lets acoustic intimacy share space with distorted guitars and thunderous breakbeats.
https://t.co/HqHubhAQdV

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Thirty years to write, two hours to come together. FaltyDL’s “Old Pioneers (Escape Death)” captures the shock of survival in one minute and twenty-two seconds.
https://t.co/v57ihcyLQF

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What happens when photographs start talking to each other? Roxane Moreau Elkaim and Jesse Feinman bring eighteen photographers together in “Wild Ember Orchestra” in Paris.
https://t.co/0906VHHzx0

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Overdressed for the beach? New Amsterdam Surf Association borrows from Amsterdam’s dining rituals for its “Fine Dining” capsule.
https://t.co/nllmXHBy1D

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Getting to the top is only part of the battle. Why are women still given so little time, trust and freedom to lead fashion’s biggest houses?
https://t.co/KDIrpLlMX2

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“I must remind myself that I can’t act like a machine.” Inês Zenha on protecting a creative practice, listening to clay and the liquid bodies of “Murky Waters”.
https://t.co/VO5zFYcoEd

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Kate is never in a hurry. Max sees no reason to apologise. Komono’s “Always Late, Never Sorry” collection asks why the rest of us are always in such a rush.
https://t.co/86XNeoXyL3

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What happens to power when nobody acknowledges it? Trashy Clothing’s “In Divine Trust” casts Mia Khalifa in a fashion narrative of satire, faith and indifference.
https://t.co/tCzF6qhKPZ

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A bed can be an altar, a stage or an invitation to intrude. Pia Riverola and Chino Castilla explore desire and intimacy in “La Cama”, on view in Paris from 12 to 15 November.
https://t.co/ih3Pd5Gwkf

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METAL 55 A/W 2026–2027
It’s the End of the World as We Know It and I Feel… Fine?

Miriam Sanchez wears Louis Vuitton on our new cover.

Photography: Adriana Cuenca
Styling: Emanuele Carrera

Pre-order: https://t.co/0m1eTeummZ

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Five seconds to sell out a tour. Between rehearsals and performing, Alyssa Grace revisits painful memories on her new single “washing skin”.
https://t.co/2qaKaUxT7w

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From PBNJ parties to a global guest list, UNIIQU3 keeps community at the centre of the dancefloor. “Mass Appeal” brings those connections to the record.
https://t.co/ZlZxg997Tn

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“Not from Paris Madame” meets “Yo soy del Betis”. Drôle de Monsieur and Real Betis take their shared sense of community beyond the pitch.
https://t.co/lfWlnMpUH9

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“No work, no social media, no constant messages.” Miss Monique on cycling away from the noise, the emotions after a set and her dream of peace in Ukraine.
https://t.co/1fQUAHvJqD

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A little darkness, a little colour, and a bag full of childhood memories. Loewe x Tim Burton’s “The Nightmare Before Christmas” arrives on 12 November.
https://t.co/QWUj8YW3xh

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Thirty-two tops, one spherical outfit. Camperlab’s F/W 2026 campaign sends Minttu Vesala into Lapland as five otherworldly spirits, photographed by Charles Fréger.
https://t.co/JBx4xB8YGp

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Soap bars, blurry dance floors and old wooden objects. Seven fashion labels whose Instagram feeds offer much more than product shots.
https://t.co/sVrnnDEOeE