My debut in The Observer is basically a love letter to all the great all-female K-Pop acts finally coming to UK shores this year (can’t wait), and the audience becoming increasingly receptive to them.
https://t.co/PaMUl7reBu
#journorequest Looking for franchisees who are running businesses in language learning and tutoring📚 #franchise This will be for a feature in What Franchise magazine. If this is you pls contact: 📧
[email protected]
Looking to interview a celebrity or big name in franchising for a whopping 4 page profile feature for the next issue of What Franchise. Agents/PRs pls get in touch if this sounds like your client: [email protected]#journorequest
I’m looking for business book and podcast recommendations for the next issue of What Franchise (preferably new releases, and extra points for those specialising in franchising - although not necessary)📚 #journorequest Deadline: 17/10/23
🚨💼 I’ve recently become an Editor at Artichoke Media, overseeing What Franchise and Global Franchise. My email is [email protected] if you’d like to say hi (send me a cute gif) 👋🐰 #journorequests
(Also, just to clarify I’m still writing K-Pop content)
I think this might be one of the most brilliant, important & honest pieces @MarinaHyde’s ever written. Please read it. It will stop you in your tracks. https://t.co/9nAkIkzVH2
@JackWetherill@lucyj_ford Interestingly I investigated this last year, and asked K.FLEX about the fan accusations of using the Incheon disaster to cancel the concert due to poor ticket sales, something which they denied. https://t.co/1b5xyZ4OYo
@JackWetherill@lucyj_ford I think a big problem lies in the pace of organisation. There’s very little time for fans to save/book time off work for concerts. So even if they’re willing to pay out for high cost ticket prices for an hour show ect. they’re often unable to.
The fab @Jeff__Benjamin has shone a light on my recent Observer/Guardian article about the rising prominence of K-Pop girl groups in the UK. (The segment is at 12.36)✨👯♀️