Avevi annunciato in festa il cessate il fuoco, prima che i sionisti criminali, violandolo, ti ammazzassero. Speriamo che il tuo popolo abbia la possibilità, che a te è stata tolta, di raccontare qualcosa di diverso da oggi in poi, Hossam.
Emilio Mola spiega perché dati alla mano la guerra in Yemen non e' piu' atroce e non ha fatto piu' vittime del genocidio di Gaza, anzi occorrerebbero 20 guerre in Yemen per ottenere lo stesso numero di vittime di Gaza
La destra e' davvero ignorantissima e conta sull'ignoranza
- Secondo lei, queste manifestazioni sono la spia di un clima d'odio o possono essere utili a Gaza?
- Ma lei l'avrebbe fatta questa domanda a chi cercava di irrompere nei ghetti durante il fascismo? #RealPolitik#Flotilla
Italy sold out the Sumud. But we knew that was going to happen already. What’s the point of providing cover for the flotilla if you abandon it the moment it is needed? It’s all optics.
🚨 INTERCEPTION UPDATE 🚨
Israeli forces have boarded Global Sumud Flotilla vessels. Communication is cut and the status of those on board is unknown. Immediate international action is needed for their safety and release
Luca Marinelli, the man we asked to play the role of Neil. I first learned of him through his role as the antagonist (Fabio Cannizzaro/Zingaro) in the Italian film "They Call Me Jeeg," and I fell in love with his amazing acting in Jack London's autobiographical film, "Martin Eden," which was released in Japan in 2020. It was a great film, and I was asked to help promote it when it was released. That was when I was contacted by a representative of the Japanese distributor. He told me that Luca had read my comments and wanted my contact info so he could convey his feelings directly to "KOJIMA-SAN.” Soon after, I received an e-mail from Luca.
“I grew up with Metal Gear. I am a big fan of yours. I am very honored that you saw the film I starred in. I wanted to tell you this directly."
During the pandemic, I was casting for DS2. Neil would be an important role that replaces Cliff from DS1. The fans would not be satisfied unless the casting would surpass Mads.
I also watched Luca in "The Old Guard" on Netflix. I decided that Luca was the only choice for the role of Neil and sent him an e-mail with an offer. Apparently, Luca was in the mountains of Tibet filming "The Eight Mountains (2022)" at the time. I don't know if it’s true or not, but he had just come down from the mountains where he was filming and happened to be thinking about me before he saw my message, and Luca said, "This has been a spiritual experience."
After that, I zoom called with Luca once he was home, pitched the idea of DS2, and he agreed to play the role. When I told him that I was looking for someone to play Lucy, he introduced me to his wife, Alissa, who is also an actress (and filmmaker). We did their scan and pcap during the height of the pandemic, but their on-set performance was excellent. You can see that in the digitized results from even the small bits of the trailer. I can only thank Luca and Alissa for agreeing to perform when we didn't even have a script yet.
“When Ethiopian J€Ws migrated to 1$®٨el, their women were given against their consent contraceptive shots so they won't reproduce because.......”
You should all know the truth!
The Auschwitz Memorial stands as a symbol of one of the greatest human tragedies—a place where the memory of the victims must be protected above all else. This protection is about ensuring that this space is never instrumentalized for any cause, no matter how just or urgent it may seem.
Visitors are permitted to enter the Memorial grounds with national flags, but they must remain unaltered, without added slogans, symbols, or modifications. This regulation upholds the solemnity of the site. It prevents it from becoming a platform for any form of demonstration, especially if it is not connected directly with the tragedy of the victims or the history of Auschwitz itself.
The Museum's role is to preserve history, not to decide which causes are worthy of recognition within its grounds. That is precisely why, decades ago, laws were passed to regulate public gatherings at the Memorial. These laws require formal approval from the provincial governor, ensuring that no individual authority—even the Museum director—can make subjective decisions about who may use the space for advocacy. The group in question neither applied for nor received this necessary approval.
These protections prevent the Memorial from being used for any political, social, or ideological purposes, regardless of their motivations.
Many people share deep solidarity with those who suffer injustice and violence, many stand in deep solidarity with the hostages kidnapped by Hamas. But the rules safeguarding this place must remain unchanged. They serve as a shield, ensuring that Auschwitz is not exploited for purposes beyond remembrance.
Weakening these protections, even in well-meaning cases, risks setting a precedent that could open the door for demonstrations none of us would want to see here.