Some plotter prints + a tiny digital screen I had on display at CVPR Art Gallery last week in Denver, Colorado, curated by
@elluba. 🤖
The web based drawings are parametrized with SIREN, optimized with natural evolution strategy, and guided by CLIP towards a text prompt.
Meridian print update—
Later this summer, I’m planning to discontinue the current selection of open-edition Meridian prints on my shop. I'd like to curate a new set of out-of-band (unsigned) prints, with the help of the community. Keep an eye out for details! 👀
I will still be offering signed & limited prints for token holders, however (pictured below).
Selections from RENDERS GAME and TRICHRO-MATIC by Anthony Hiley-Mann @mountvitruvius are now on display until August 16 at the Museum of Light + Art @museumartlight as part of the exhibition EMULATION: Selections from the Art Blocks 500.
Discover more below👇
Now Open! EMULATION: Selections from the @artblocks_io 500 @museumartlight
10 Generative Artists
10 Physical Works
147 Rotating Digital Artworks
1 Stellar Exhibition
Emulation extends beyond imitation. It involves close study, deep understanding, and the ambition to meet—or even surpass—what has come before. In art, emulation can be a path toward innovation, where influence becomes a foundation for new creative expression.
Artists may emulate a historical movement, translate the textures and behaviors of physical materials, or reimagine patterns found in nature. In EMULATION: Selections from the Art Blocks 500, each artist achieves this through digital means, using code as both medium and method. Their works reflect a dialogue between past and present, material and virtual, intention and chance.
Rooted in conceptual art, generative practice combines authored systems with controlled randomness, allowing each output to be distinct. By uniting art, technology, and community, @artblocks_io continues to shape new possibilities for how digital art is created, collected, and preserved.
March 4 - August 16, 2026
@sterlingcrispin@Licia_He@carolina_melis@mountvitruvius #Grantoesterling @harvey_rayner@msoriaro@pointline_@kellymilligannz@loie_hollowell
This exhibition has been generously supported by @plasticsurgery360
Crossovers revealed on May 2 - Tix Available Now! https://t.co/Dil99rsrhf
open call opportunity for london based artists!
i’m curating a small showcase of art for a london based cafe / venue
must be physical works / prints :)
deadline: 17 march
all details + application form below 🌀⤵️
EMULATION: Selections from the Art Blocks 500 opens March 4, 2026 at the Museum of Art + Light (MoA+L).
Presenting twelve projects by ten Art Blocks 500 artists, the exhibition showcases creative code as a pathway toward innovation and transformation in art.
https://t.co/vpT2ObyJPM
The @artblocks_io 500 is a wonderful slice of pre-AI computer art.
It feels more and more like closing that chapter there made sense, and will help it establish it's place in history.
Honoured to have my work on show as part of it's exhibition with @museumartlight.
Code. Chance. Creativity.
EMULATION: Selections from the @artblocks_io 500 exhibition opens March 4 at the Museum of Art + Light. Where art works reflect a dialogue between past and present, material and virtual, intention and chance.
Featuring 10 amazing artists: @sterlingcrispin@Licia_He Loie Hollowell @carolina_melis@kellymilligannz@mountvitruvius Grant Oesterling @harvey_rayner@msoriaro@pointline_
Showcased in conjunction with Picasso: Art in Motion and where all will be celebrated at a big bash on May 2. Tickets for May 2 coming soon! https://t.co/l0gKvcueb1
Not at all, I think it has a very bright future. It's simply a change in computer arts process and opportunity space. But, I do think it's one I think could be important in retrospect.
Today, we can use AI in so many ways, from writing code to latent diffusion models and everything in-between. Separating the 'human' from AI assistance can now be tricky at best - this is not necessarily a bad thing.
My point is more that this shift in techniques and approaches (not to mention on-chain constraints) meant that AB releases within the 500 fell before this shift, and leave no ambiguity as to their approach - the on-chain aspect of AB serves to encapsulate that period of time.
I truly believe people will continue to value human created artwork, and that all computer art has it's place in the future, irrespective of it being entirely human made, human & AI assisted, or purely AI. It's all computer arts.