Add on Nolan's focus on stories that explore leaving your family to pursue your own dreams, and it's a fit that's too on the nose in some respects, but I'm so pumped
In terms of modern day equivalents, Nolan's films are a pretty good comparison point: commercially successful, but seeking to offer commentary on the world. One of a few directors whose filmographies fit the bill really well
A great way to understand contrast and its impact on cinematography is to view shots you like in black and white.
I know photographers and DPs who monitor their images this way when shooting - it helps focus on light and composition without the distraction of color.
Sometimes, when I’m color grading or editing my photos, I start in black and white to get the ratios between light and shadow right before reintroducing color.
I’ve never come across a film I like aesthetically that doesn’t look just as good (or sometimes even better) in monochrome - If it works in black and white, it’s almost guaranteed to look good in color.