I’ll never forget the time an interviewer asked Johnny Knoxville about the homoerotic subtext in Jackass and he got mad at them for calling it subtext.
one thing that irks me about modern cinema is that everyone looks like they live in an airbnb or hotel none of that shit feels like a lived in home but throw on the most random 90s movie and you won't have any doubt that a character has spent most of their life in that apartment
Caught an amazing screening of “I Love Boosters” at @CineGearExpo thanks to @AmericanCine with a discussion with Natasha Braier ASC Holy crap what an amazing film. @BootsRiley and team are mad geniuses. Go see this in a crowded theater immediately
Best part of the article. This is one of the main reasons the Noir book won't ever get a faithful adaptation, as people are too scared of the book's uncomfortable realness, and would rather riff on old detective stories and "wow so retro" aesthetics.
The best part of writing Agent Cody Banks was getting Keith David to tell us behind the scenes stories from making The Thing, one of which included the line "And then John Carpenter walked in...MAD AS A MOTHERFUCKER."
This rings true with today’s remake culture as well. Everyone’s just rehashing shit without any of the actual Intention behind any of it. We’re in the age of the simulacrum
saw a kid at the flea market selling a diorama of the day of my death, my lifeless body rendered in incredible detail, but he wanted fucking $100 for it lmao, no dice little idiot
Was curious as to where to Gilliam's Brazil was shot and it turns out a great deal of it was not on a soundstage, but at some fucked up housing estate in France that just looks like this