Delighted to be involved in the ongoing development of this friendly tool for music encoding! All glory to @goeblw who does most of the heavy lifting 🙂. And of course to @lxpugin #Verovio and to the wider @MusicEncoding community!
A delegation of the https://t.co/a5a0ZV6nqJ project presenting their work at https://t.co/CSYOTYMGrK (Lisbon) and https://t.co/XFtFV7KsSH (Granada) earlier this month. We had a great time! With @elikyr, @janjusolja, Silas Bischoff, and @MusiCog.
Delighted to announce our (@goeblw@MusiCog) new publication in @JOSS_TheOJ: "mei-friend: An Interactive Web-Based Editor for Digital Music Encodings" https://t.co/AVtM4IzciS 🦉🎶🥳
EDITOR'S PICK
Musical instrument playability can be analyzed by visualizing a subspace defined by musicians' control parameters. Can similar diagrams be used for analyzing woodwind playability?https://t.co/r2MmbXq7vb
@iwk_mdw #acoustics
Thanks to all participants whose contributions made this event so fun and productive! Our working document (including reporting) is available at https://t.co/g3s7lVL32f
It was a pleasure working on MEI with you at @mdwwien 🙂🎶💻
💻🎶📚 As in previous years, the International Conference on Digital Libraries for Musicology (DLfM) 2024 Proceedings will be published in @TheOfficialACM ICPS and available via @ACMDL! Extended submission deadline Feb 22nd, there's still time! Full CfP: https://t.co/BMrpbD3Sue
🚨 Deadline Extension: DLfM 2024 - 11th Intl. Conf. on Digital Libraries for Musicology - Paper & poster submission deadline now Thu, Feb 22nd, 2024. Note: Pre-submission with working title + author list still due on Feb 12. See you in Stellenbosch! CfP: https://t.co/BMrpbD3Sue
Delighted to see widespread reporting of @FWF_at interview with our project in light of the oncoming @Vienna_Phil New Year's Concert 2024 including by Austrian broadcaster ORF and numerous newspapers! "Guten Rutsch" from Vienna!🍾
https://t.co/UDa9dilOiw
https://t.co/DlUF5pU1Ac
@SigSoundVienna@MusicEncoding Quite a good lot of computation people will be there at GFM this year. I'm giving my talk about “Chromatic Chords in Theory and Practice” on Thursday as part of the sessions on computer science. #musictheory with a dash of #musicscience. Quite accessible (!)🌈 🎶 🇺🇸 🇬🇧 🇩🇪.
The @SigSoundVienna team heads to the German Musicological Society Conference #GfMTagung2023 this week to present on our project, featuring a special booth at the digital musicology marketplace dedicated to the mei-friend @MusicEncoding editor! Saarbrücken, wir freuen uns!
Really excited to show off some of the tooling developed in @SigSoundVienna incorporating the Music Annotation Ontology (https://t.co/PvHZ3hxDiL) to interconnect performance recordings and score encodings!
🎻💿🎼
🚨 Register for #DH2023 tutorial on #digitalmusicology scholarship using performance recordings and #LinkedData annotations @DH2023Graz on July 11th: https://t.co/HmF83HjBRu. Learn about cutting edge research tools and approaches developed at @OxfordeResearch @iwk_mdw
8 more days to register for the Digital Musicology strand of the @dhoxss Summer School. We still have some places left, so spread the word! #musicology#digitialmusicology
#musicbrainz has had it’s 100,000,000th edit!
That’s one. hundred. million. edits from a global community freely giving their time, for the love of sound and music… aren’t people wonderful?? - aerozol
#love#music#opensource