I like music & football. I’ve done pretty much every job possible in the music industry. My passion is sound engineering, but don’t get to do that much.
When I started working in country music, not many people abroad knew who country artists were, even the bigger ones. I am delighted to see how people in the UK have embraced country music. The fans here are awesome. @C2Cfestival@laineywilson@ThomasRhett@zacbrownband@ladya
Every time I saw #dollyparton trending I was scared we’d lost our national treasure. I hate it that it’s true. I was hoping she’d live to be over 100. I was privileged to meet her once backstage at an awards show and she really was as nice as you would think. 💔
Not sure the @steelers deserved to win that game. Had Tomlin just kicked the field goal before halftime, they wouldn’t have been sweating it out at the end of the game.
Despite my better judgement I decided to see @PaulMcCartney at @ThePinnacleNash Not that I don’t love Paul, but given the fact that I’m vertically challenged I don’t enjoy GA situations… #PaulMcCartney
As much as I love @trishayearwood I don’t think I’ll be going to the @paleycenter in New York after all since I can’t afford to get stuck in New York again due to the ATC issues…
I don’t think I’ve ever heard the crowd booing so loudly at Jordan-Hare. The way this game has been officiated the refs deserve them all night. Especially after what happened in the Oklahoma game… #WarEagle#Auburn
FOR YOUR GRAMMY® CONSIDERATION: The Mirror finds Trisha Yearwood standing squarely in her own light. Her sixteenth studio album is also her most personal—the first in her career that she co-wrote in full, across all 15 tracks. Framed by a radiant, soulful country palette, Yearwood writes with unguarded clarity about resilience, identity, forgiveness, and feminine strength, letting the title track hold up the glass while that unmistakable voice does the rest. “When I was 19 years old someone told me I wasn’t a songwriter, and I let that be the truth for a very long time,” Yearwood reflects. “But at some point in the past few years, something shifted and I started writing and then just never stopped. You’d think that after all this time I’d have nothing new to share, but now I feel like I’m on a whole new adventure.”
Yearwood’s pen sharpens the edges of hard-won wisdom—you hear the sly twang of “Drunk Works” (a duet with Hailey Whitters), to the widescreen heart of “The Record Plays On” (featuring Charles Kelley) to the rootsy grit of “The Shovel” (with Jim Lauderdale). Sequenced like chapters of one honest conversation, the album moves with warmth and purpose, the sound of an artist fully in command of her voice, vulnerability, and vision.
https://t.co/xGcy3ahyVg
@trishayearwood@countrymusichof I was at the CMHOF the other day and walked by the sidewalk where they have the inductees into the Songwriters Hall of Fame. I hope to see your name there one day.
I checked to see how much @DollyParton tickets were selling for in Las Vegas on StubHub. There’s a ticket listed for over $102,000. I don’t think I’ve ever seen a ticket priced in that range. A lot of countries in Europe only allow tickets to be resold at face value…
@Wildaboutmusic@olivianj It’s pains me that I never got to meet her. A songwriter friend knew her and said she was such a great human. I can’t pick a favorite song, but I love “Have You Never Been Mellow.” The tone of her voice on the “down” in the first chorus gets me every time. No Pro Tools involved..
@trishayearwood I’ll be there any time I can… I’m making up for lost time since there were a lot of years I was so busy or traveling that I didn’t get a chance to see you live.