Some of John Luther Adams’ finest string writing. Outstanding performance from Richard Tognetti and the Australian Chamber Orchestra. Recorded by Bob Scott, produced and mastered by me. For Your GRAMMY® Consideration – “Horizon”
https://t.co/iZcdqUo0kp
Eclipsa Audio playback is now included in the standard release of Google Chrome, starting with version 153. You no longer need Chrome Canary. A big step forward. I've revised the article on our website to reflect the new workflow. Enjoy!
Here at Immersive Machines, we’re pretty excited about listening to Eclipsa Audio on YouTube. As of summer ’26, here’s the professional’s guide to playing 7.1.4 mixes on YouTube in the immersive studio. #immersivemasterpro#EclipsaAudio#immersiveaudio
https://t.co/QAWjSVX4Ds
IMP 1.5 is out: native IAMF & Eclipsa Audio™ authoring. Encode immersive WAV as .iamf or Eclipsa Audio MP4, upload straight to YouTube, and share immersive mixes in minutes - no gatekeepers, no subscriptions.
30-day demo, free for 2nd Gen owners.
https://t.co/lDTgMpnsNc
Showing the new Eclipsa Audio version of Immersive Master Pro at AES New York's Oct 9 event - soundbar, reference speakers & headphone demos. Food, drinks, great music. Engine Room Audio, NYC, 5-8PM. Tickets and more info: https://t.co/BlkyYqlSDw
“I was walking out the door from the U2 studio and Edge said, “Oh yeah, we need to deliver an Atmos version, maybe you could look after that.” I said yeah. And I thought, how hard could it be?”
— ALASTAIR MCMILLAN
Full interview here:
https://t.co/knxVHBL7nj
#immersivemasterpro
Delta David Gier's revival of the Pulitzer-Prize winning opera, "Giants in the Earth" is now available on CD and streaming in Dolby Atmos. I produced the album with top-notch recording engineers Mark Donahue and Jacob Steingart. Final immersive mix at Beatstreet NYC.
I was on the Spatial Audio team for this. Epic performance from her and her band. I might be a Little Monster now. The new version of "Die With A Smile" is really special. #LadyGaga#AppleMusicLive#DolbyAtmos#SpatialAudio
https://t.co/VWIfsJKnxH
When I saw the score, it seemed like a distillation of Ocean for strings. The Australian Chamber Orchestra have brought it to life. Recorded by Bob Scott. I produced and mixed it. Carnegie Hall Wednesday: https://t.co/oDLTgsLVN5
We’ve joined the Alliance for Open Media as a Promoter member.
This opens the door to IAMF (Eclipsa) workflows in Immersive Master Pro—and a future where high-quality immersive audio can reach platforms like YouTube.
https://t.co/Fn7Cb9a7Ge
#immersivemasterpro#AOMedia#IAMF
All your ADMs. One place. Instant playback.
New in Immersive Master Pro 1.4:
Dolby Atmos Rendered Playback, Custom File Naming, CSV Reports.
Free for 1.3 users.
https://t.co/QU0Rat3wop
#DolbyAtmos
Season 2 of Wonder Pets: In the City is now on Apple TV.
Mixed every episode with Jeffrey Lesser in Dolby Atmos at Beatstreet NYC.
A mini-opera for kids. Wall-to-wall music.
And Christopher Sean Cooper Jr. won an Emmy as Tate the Snake 🏆
#DolbyAtmos#AppleTV#WonderPets
“Codec A was bad, and someone somewhere should feel bad about it.”
...that comment came out of a double-blind listening test comparing Dolby AC-4 L4, DD+JOC, and a PCM reference.
Read the complete results here:
https://t.co/6jkPR8pZXC
Immersive Machines’ Russ Hughes interviews immersive music pioneer Katia Sochaczewska. “We were dealing with huge numbers of files..." Immersive Master Pro became essential.
#immersivemasterpro#echoproject
https://t.co/Truk2BqtfK