@OgbeniAdugbo Lol, Ignorance on Display
The Imamms have collected billions in the past and they will still collect again to preach the narrative that a criminal who is a Muslim is better than a Christian as a leader.
We have video evidences so wake up from this deep and unfortunate slumber
@abdullahayofel Look at the abbreviation or acronym and check the full meaning... These people are Unfortunate individuals sha.... Just hell bent on destroying this nation all in the name of small change
I warned them when they were writing this rubbish and they called me a man of little faith.
You're not a Catholic and you're creating propaganda with Catholic Youth Organisation. How will it work?
First, It is Catholic Youth Organisation of Nigeria (CYON).
and not Catholic Youth Association of Nigeria.
Even the logo no even follow.
FULL PROMPT
Consistent Character (use in every scene for continuity)
A stylish woman in her late 20s, warm brown skin, glam makeup with soft glossy lips and defined lashes, wearing an elaborate teal-and-gold aso-oke gele (Nigerian head-tie), matching teal lace/aso-ebi gown with intricate gold embroidery, gold jewelry (layered necklaces, drop earrings, bangles), and metallic heels. Confident, elegant, camera-aware demeanor. Cinematic, hyperrealistic, shot-on-iPhone aesthetic, vertical 9:16, soft natural lighting, shallow depth of field, warm color grade.
Scene 1 — Mirror Selfie in Living Room
Full-length mirror selfie in a bright, luxury living room: marble floors, floor-to-ceiling gold-trimmed curtains, crystal chandelier overhead, cream sofas, gold side tables, a lit fireplace and wall-mounted TV in the background. She holds up a phone in a black case with visible triple-camera module, angled to capture her full outfit and a small teal-and-gold clutch bag. Static shot, soft daylight through the windows.
Scene 2 — Driving Away From Home
Interior of a luxury SUV (cream leather interior, panoramic sunroof). She’s in the driver’s seat in profile, smiling, one hand on the steering wheel, the other adjusting it, palm trees and a gated estate visible through the window. Camera positioned from the passenger side, slight handheld sway, bright midday light.
Scene 3 — Exiting the Car at a Church/Estate
Wide exterior shot of a parked white luxury SUV in front of a modern glass-and-stone house. Door open, her leg and heeled foot stepping out, gele visible through the windshield. Static tripod-style shot, hard sunlight, clean concrete driveway.
Scene 4 — Emotional Moment in Church Pew
Close-up, shallow depth of field: she stands with eyes closed, brows furrowed in an emotional, prayerful expression, hands clasped at chest. Blurred congregation and a stained-glass-lit sanctuary behind her, a balcony choir visible in soft focus above. Slow subtle push-in.
Scene 5 — Praise and Worship, Arms Raised
Medium shot inside a packed church sanctuary, wooden pews, ceiling fans, arched windows. She stands center-aisle with both hands raised, joyful expression, surrounded by a diverse congregation in coordinated aso-ebi (gold, purple, blue) clapping and worshipping. Handheld documentary-style camera movement.
Scene 6 — Dancing in the Aisle
Similar sanctuary setting, now mid-movement: she dances with arms bent and swaying, other women in teal and cream lace beside her, congregation clapping in rhythm. Slight low-angle handheld shot, warm indoor lighting mixed with window daylight.
Scene 7 — Greeting Guests Outside a Stone Church
Exterior of a Gothic-style stone church with arched doorways and stained glass. She’s mid-handshake/greeting with an older woman in cream lace, smiling broadly, surrounded by other churchgoers in pastel and jewel-toned aso-ebi. Bright sunny day, medium wide shot, natural crowd movement in background.
Scene 8 — Walking Away Through a Parking Lot
Shot from behind as she walks away across a parking lot full of SUVs (including a white Range Rover), showing the full back detail of her gown and gele, tree line and a brick building in the background. Slow tracking shot following her at a few paces back, bright afternoon sun casting a hard shadow.
• Aspect ratio: 9:16 vertical, ~1080×1864
•Frame rate: 30fps, total runtime ~25 seconds across 8 cuts (~3 sec each)
•Consistent grading: warm, slightly desaturated highlights, punchy golds/teals
•Motion: mix of static/tripod shots (mirror selfie, car exit) and handheld documentary movement (church scenes) for realism
•Continuity: same face, same outfit, same gele across all 8 clips
“That’s where they make a mistake: Cardinal Onaiyekan himself supports nobody. I have had several conversations with him. The only thing that pains him is the level of indiscretion, poverty, and corruption in Nigeria… I just think they are trying to intimidate Onaiyekan.
- ADC vice presidential candidate, Rotimi Amaechi, on the presidency’s criticism of Archbishop Emeritus of Abuja, Cardinal John Onaiyekan.
What is the Roman Catholic Church contribution to Nigeria?
The Roman Catholic alone has over 420 hospitals in Nigeria. The federal government has less than 80 hospitals including both teaching hospitals and federal medical centers.
NOTE THIS PAGE DOES NOT SUPPORT VIOLENCE..
I want the APC govt to come carry my 6 children from me before 72 hours, if after 72 hours they don’t come and take them, I will put something inside our food and all of us will ….... I have not been able to get myself since I sold all my property to campaign for APC
— Daniel Solomon the man who sold his properties to campaign for Apc
20 DAKİKADA 5MİLYON GÖRÜNTÜLENME ALAN VİDEOYU NASIL YAPARSINIZ?
20 dakika adım adım anlatılmış ben de sizler için Türkçe altyazı ekledim. peki bu eğitim neleri içeriyor :
Sıfırdan kanal nasıl kurulur,
Markalama nasıl yapılır,
Çöp adam animasyonları nasıl yapılır,
Üretilen görseller nasıl animate edilir,
Hangi yapay zeka araçları kullanılır,
Nasıl editlenir kurgulanır hepsi bu videoda var.
20 dakika ayırıp sende işinin yanında günde 1saat ayırıp ayda binlerce dolar ek gelir kazanabilirsin. Bugün bu video ile başla, erteleyenlerden olma