Naruto is where flow animation peaked and where webgen animation start, the most influential and important anime of the 21st century in terms of animation
Just search the definition of choreography and animation, the key word is MOVEMENT. Cool other shows may have better compositing but it doesn't move the needle, pun intended.
Can someone explain what's the difference of "choreography" and "animation" cause all these disingenuous know nothing at all folks keep using them. For me, choreo = movement, animation = movement great choreo = great animation, and yall already know which show has the best choreo
@WNextil@Goryumeisen@ToxicNezuko Wtf does that mean great choreo is movement and animation means movement, great animation = great choreography, god yall just talking out the ass
@megumiyuchi@smn99221 Not just norio but also mamuro oshii, toshiyuki tsuru, wakabayashi, etc. They did weeklys cause that was the norm till the late 2010s cause again they're the only ones that can handle, and all their weeklys are caused by TV Tokyo who gets more not by greed.
@megumiyuchi@smn99221 The peak in question sets influence, they're the only 2 stuios that could do weeklys and movies, all the other studios would jmplode
@megumiyuchi@smn99221 The peaks are still better and most of your refute are caused by circumstances that all of the studios cept for toei can't handle.
Naruto is where flow animation peaked and where webgen animation start, the most influential and important anime of the 21st century in terms of animation
Taguchi's staff hugely benefit from TV Tokyo maintaining a late-night broadcast schedule (and working on yearly-ish cours instead of weekly episodes for nearly a decade), so the tribulations of TV Tokyo's weird censorship of Abe's OG Bleach is a completely different environment
A-1 Pictures doesn't "pick up" or randomly "drop" series. They're a contractor hired by a production committee (publisher, Aniplex/Sony, broadcasters, merch companies etc.).
The committee owns the rights, funds everything, and decides on seasons based on sales, streaming, and revenue.
A-1 only animates what the committee assigns them. They don’t personally “own” or “drop” series whenever they want.
Examples:
• The Seven Deadly Sins the Movie: Prisoners of the Sky underperformed financially, which led to committee-side changes. That wasn’t A-1 randomly abandoning the series, the committee simply didn't renew.
• Magi: The Labyrinth of Magic didn’t get Season 3 largely because of weak financial performance in Japan. The committee simply didn’t continue it.
• 86 (Eighty Six) was adapted as assigned. Continuations are decided by the committee, not by A-1 “walking away.”
• Fairy Tail literally ran for 328 episodes across a decade with A-1 and involved throughout and co-studios as needed. It fully adapted the manga. That’s the opposite of “dropping” a series.
People seriously misunderstand how committee-based anime production works.
Then you add hiroyuki yamashita, naoki kobayashi, kenichi fujisawa, inspired K1ro, samuel deats, spencer wan, etc. Sorry yutapon but norio is the most influential.