For the first time in the U.S., our film No Other Land is available to stream online. It doesn’t just show our past — it captures our ongoing struggle. Watch it now -- all proceeds go to support the communities of Masafer Yatta.
https://t.co/E11LJ55P2z
A tale of two movies:
Similar deal structures. Similar budgets.
One made $45M from 3300 screens, post pandemic, and won the weekend.
The other made $41M from 3600 screens pre-pandemic, and placed second.
And yet this is the coverage.
Harvard has set an example for other higher-ed institutions – rejecting an unlawful and ham-handed attempt to stifle academic freedom, while taking concrete steps to make sure all students at Harvard can benefit from an environment of intellectual inquiry, rigorous debate and mutual respect. Let’s hope other institutions follow suit.
Den norske spillefilmdebuten «Eksplosjoner i hjertet» av Yen er både et sterkt generasjonsportrett og en medrivende kjærlighetshistorie, som ikke minst diskuterer polyamori på utforskende og fordomsfritt vis. Min anmeldelse for @CinemaNorge:
https://t.co/d2DBCV9LzB
La Caméra d’or pour un premier film est attribuée à ARMAND de HALFDAN ULLMANN TØNDEL.
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The Caméra d’or award for a first film goes to ARMAND by HALFDAN ULLMANN TØNDEL.
#Cannes2024#Palmares#Awards#CameraDOr
brings me great joy to report that Furiosa is really, *really* fucking good.
operates in an extremely different gear than Fury Road (in ways that i suspect will frustrate some people), but also manages to make that movie even richer while carving its own legend in the wasteland.
Avec la disparition de Paul Auster, l'une des voix les plus ferventes de la ville qui ne dort jamais s'est éteinte. Le talent de cet immense romancier américain, auteur d'une quarantaine de livres traduits dans le monde entier - dont la Trilogie new-yorkaise et Leviathan - avait porté jusqu'au grand écran. Également scénariste, acteur et réalisateur, Paul Auster avait été membre du Jury des longs métrages en 1997. Grande tristesse d'apprendre qu'il nous a quittés.
Marking the death of the great Yugoslav and Montenegrin director Veljko Bulajić, let's remind that a poster for his famous war movie "The Battle of Neretva" (1969) was made by Pablo Picasso.
"younger audiences tired of Hollywood storytelling tropes are turning up to watch international films with strong plots or crossover talent..."
"audiences no longer have an aversion to subtitles. Netflix has played a role in this..."
https://t.co/ZcHaMcXFoR